简介：特德是一個專門偷竊寶石捷汽車的團夥頭目，在一次偷車事件後，引起了警方的注意，警方於是派一個剛剛加入警隊並對汽車非常瞭解的警察本傑明，化名比爾到特德的修車廠去臥底，比爾通過在修車方面的優異表現取得了特德的信任，並與特德成了好朋友。在特德的手下馬爾科姆被殺後，警方加強了對特德的調查，而同時比爾的身份也被特德識穿。特德爲了贏得比爾，不擇手段地殺害了兩個知道比爾身份的警察，希望能讓比爾徹底回到他的身邊，比爾該怎樣面對這一切呢？

简介：天地靈氣孕育出一顆能量巨大的混元珠，元始天尊將混元珠提煉成靈珠和魔丸，靈珠投胎爲人，助周伐紂時可堪大用；而魔丸則會誕出魔王，爲禍人間。元始天尊啓動了天劫咒語，3年後天雷將會降臨，摧毀魔丸。太乙受命將靈珠託生於陳塘關李靖家的兒子哪吒身上。然而陰差陽錯，靈珠和魔丸竟然被掉包。本應是靈珠英雄的哪吒卻成了混世大魔王。調皮搗蛋頑劣不堪的哪吒卻徒有一顆做英雄的心。然而面對衆人對魔丸的誤解和即將來臨的天雷的降臨，哪吒是否命中註定會立地成魔？他將何去何從？

简介：非典期間，病毒肆虐，姚遠（郭品超 飾）和林雨桐（楊紫 飾）卻以此爲契機相識相知。一晃眼多年過去，進入大學深造的兩人在校園之中意外的重逢了。順理成章地，姚遠和林雨桐走到了一起，開始了他們漫長而又甜蜜的愛情長跑。然而，本以爲最終會攜手步入婚姻殿堂的兩人，卻在陰差陽錯之中分道揚鑣，自此再無聯繫。　　之後，姚遠成爲了一名工程師，並且結識了名爲沈馨（高雅軒 飾）的溫柔女子。父親姚文成（焦恩俊 飾）的身體一直不好，於是，姚遠決定和沈馨結婚，了卻父親的心願。然而，就在兩人的結婚典禮上，大學室友喬治的出現帶來了下落不明的林雨桐當年隱瞞的祕密，這個祕密讓姚遠心中五味雜陳，不知未來該如何選擇。

简介：故事講述決心踏上國際舞臺的Band Four 主音Cat (謝安琪 飾)自小崇拜結他手父親King (泰迪羅賓 飾)，父親卻在她十歲時離家出走。廿多年後，Cat 媽病逝，父女在火葬場內重逢，此時，Cat多了9歲兒子Riley(陳諾霆 飾)，父親King攜帶了女兒樂弦(Anna hisbbuR 飾)回來。四人忽然同一屋簷下，一個家四種聲音，各有掙扎、祕密與恐懼，難以溝通。音樂是四人唯一的共通點，當透過音樂四人開始合拍互相聆聽時，Band Four 卻面臨更大難關

简介：收看地址：httpv.youku.comv_showid_XMjEwMzM0MDQw.html中國電影集團聯手優酷網共同出品，科魯茲全程支持，彙集最鮮活的青春奮鬥力量，打造11度青春電影行動。由11位當下青年導演中的翹楚執導系列電影短片，精彩不斷；1部電影長片重磅壓陣，給你好看。這是一場沒有觀衆的盛大電影，因爲每個人，都是真正的主角。《拳擊手的祕密》（張亞光導演）：他不想再看這個世界，他選擇了失明。《哎》（尹麗川導演）：兩個龍套的愛情，能否修成正果？《夕花朝拾》（莊宇新導演）：遇到57歲的自己……《東奔西遊》（李馮導演）：唐僧師徒有了夢中情人。《泡芙小姐的金魚缸》（皮三導演）：有這樣一種病，當你太在乎你的愛人的時候，你會忘記他。《江湖再見》（沈嚴導演）：因爲不能在一起，他們相約自殺……《李雷和韓梅梅》（方剛亮導演）：作爲老鄉的他和她因打錯電話而相識，但他們擁有的只是漂泊。《阿澤的夏天》（張躍東導演）：剛畢業的阿澤來到北京，但這兒沒有他的立足之地……《L.I》（張亞東導演）：深愛的他神祕失蹤，癡心的她該何去何從？《老男孩》（肖央導演）：兩個最普通的北京小人物的夢想與現實。

简介：故事描写一名母亲独力把两名儿女抚养成人，不惜从事黑市买卖，甚至出卖肉体，但儿女们却毫无感激之心，母亲最后只好以自杀了却残生。　　木下惠介是一位善于抒情的导演，在他的作品中往往能看到优美的画面，听到怡人的配乐，然而本片却一反其一贯风格，呈现出别具一格的风貌。在本片中，木下导演用写实的笔触描绘出一段残酷的故事。剧中的主人公是一位包受战乱之苦的妇女，而她的两名子女却半点不体谅母亲的苦心，自私而无情地把母亲逼上了绝路。影片的画面好像新闻报导片一样冷静而不带修饰，反而营造出令人震慑的冲击效果。影片入选1953年电影旬报评出的年度十佳作品榜，出演春子的望月优子获得了每日电影评选的最佳女主演奖。

简介：尼諾（赫蘇斯·卡斯特羅 Jesús Castro 飾）和康比（Jesús Carroza 飾）是生活在直布羅陀巖山附近的兩個年輕的男孩，整天無所事事的尼諾靠着維修摩托艇來賺取外快。一次偶然中，尼諾結識了名叫哈里爾（Saed Chatiby 飾）的男孩，哈里爾告訴他們自己的叔叔哈西德從事着毒品交易的勾當。　　在康比的不斷勸說下，尼諾決定加入販毒的勾當。他們利用摩托艇來運送毒品，將它們從非洲賣到西班牙。赫蘇斯（路伊斯·託沙 Luis Tosar 飾）和他的搭檔伊娃（芭芭拉·藍妮 Bárbara Lennie 飾）一直在追蹤着大毒梟英格里斯的蹤跡，很快他們便發現，他們的追蹤詭計和尼諾有了巧合般的重合。

简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

简介：故事發生在人跡罕至的西伯利亞雅庫原始森林之中，謝爾蓋（葉甫蓋尼·烏爾班斯基 Yevgeni Urbansky 飾）、安德烈（瓦西里·利萬諾夫 Vasili Livanov 飾）、丹妮婭（塔吉婭娜·薩莫依洛娃 Tatyana Samojlova 飾）和薩比寧（因諾肯季·斯莫克圖諾夫斯基 Innokenti Smoktunovsky 飾）是四名地質勘探隊的隊員，他們正在此處探索，想要找到珍貴的金剛石礦牀。　　茫茫的原始森林之中，想要找到小小的礦牀是何等的困難，四人忙碌數日，卻一無所獲，紛紛陷入了心灰意冷的情緒之中。然而就在這個節骨眼上，丹妮婭在偶然之中挖到了一塊金剛石，這也就以爲着，礦牀就在不遠之處。勘探隊繪製了地圖準備將其帶往總部，此時森林中忽然燃起了熊熊大火，在濃煙和烈焰之中，一行人爲了保護地圖而付出了慘痛的代價。

简介：在香港的一個大公司裏，正在進行着一項非法交易：港商歐路易用一箱港幣從環球科技中心總經理馮國江和中換得了中方一張進口8000臺監視器的批文。身爲高幹子弟的馮國江干此勾當早已是輕車熟路了。然而，在這條嚴密的官倒鏈條上，有一個小小的環節出了毛病：承辦進口的深光公司經理、歐路易的表弟唐輝，在跟女祕書小蘭調情時被她的丈夫魏勤抓住了。小魏一怒之下到經濟犯罪舉報中心告發了唐輝。工作人員林亦平從他提供的蛛絲馬跡中感到這很可能是一起特大官倒案。夜晚，歐路易的中方代理人安麗小姐設宴爲馮國江接風，可她萬萬沒想到，此人竟是8年前卑劣地佔有了她導致她離開了戀人的無恥之徒。一天，林亦平在海關查證，無意中發現了他苦苦找尋了8年的安麗，林亦平的心失去了平靜。8000臺監視器在海關被林亦平扣下了，歐路易匆匆趕到大陸，令安麗想法找舉報中心的人私了，於是，安麗向林亦平發出了邀請。這對初戀的情人再次相見了，並在一起度過了一個溫馨的夜晚。當林亦平發現安麗是在利用自己最珍視的愛情做罪惡的交易時，怒不可遏地奪門而去。馮國江利用自己的身份，大走上層路線，使林亦平的調查處處受阻。一個月後，被扣留的貨竟被放行。更有甚者，馮國江竟將林與安一起過夜的事捅了出來，林亦平被迫停職檢查。安麗決心報復，她假裝與馮國江合作，用錄音機錄下了他的罪證，然後把磁帶交給了林亦平。受到愚弄的馮國江暴跳如雷。安麗厭倦了這種爾虞我詐的生活，向歐路易提出辭職。夜晚，馮國江悄悄潛入安麗的住所，企圖對她施暴，就在這時，林亦平趕到了，馮國江終於被他的正氣壓倒，頹然敗走。安麗和林亦平重新走到了一起，他們決心攜起手來與以權謀私的腐敗現象鬥爭到底。

简介：　　80年前，革命歌曲《八月桂花遍地开》由商城县革命艺人王霁初根据商城民歌改编而成，从这片红色的土地上诞生并唱响全国。该电影以地主少爷王霁初从叛逆者走上革命道路，在庆祝河南省第一个县级苏维埃政权诞生时创作革命歌曲《八月桂花遍地开》的历程为主线，展开一系列曲折生动的革命故事情节。

简介：小虎曾是孟家養子，但意外導致養父過世，便離開孟家，漂泊十年後，成了走私販。他偶然救下采芹和采薇兩姐妹，更與采芹一見鍾情，可採芹正是仕龍的未婚妻。采芹既迷戀小虎，又想嫁給仕龍做上等人。采芹與仕龍成親那日，小虎欲帶采芹私奔，采芹謊稱妹妹采薇與小虎有私情，以保住自己與仕龍的婚姻。小虎爲報復采芹，與采薇成婚，婚後兩人有了感情。仕龍發現采芹纔是與小虎私情的人，對小虎產生了仇恨，以多年前一樁綁架案抓捕起訴小虎。爾後仕龍悔悟自己被憤怒矇蔽雙眼，撤銷了控訴。孟夫人也道出了小虎身世——小虎與仕龍是親兄弟。小虎與采薇終成眷屬。采芹剃度爲尼，懺悔過去。

简介：以「忘川」、「孟婆」為概念，跨越年代三段時序，有關靈魂學習如何前進的愛情故事。

简介：人见孝子（原节子饰）的父亲去世，孝子在坟前哀悼时，偶遇前来吊唁的父亲门生、有妇之夫矢岛隆吉（佐分利信饰）。两人早已相识，同行返回东京。路上孝子哭诉父亲去世后自己生活豪无着落，隆吉便邀请她到自己家做佣人。经隆吉反复劝说，孝子应允。隆吉之妻（杉村春子饰）身患重病，只能住在疗养院，家中各种杂务，全由孝子操劳。隆吉的子女喜欢这位新来的阿姨，而孝子和隆吉彼此的爱恋也日渐深厚......

简介：When a mysterious figure starts to target State Alchemists for their sins against God, Alchemist Edward Elric and his brother Alphonse are at their most vulnerable, meanwhile the homunculi begin to unveil themselves once again.

简介：馬提亞斯·佈雷徹偵探受僱追蹤最惡劣的南部聯盟戰犯。當他徘徊在舊西部尋求正義時，他的決心受到了考驗，因爲他遇到了一位意志堅定的先鋒女性，她遠比表面上要堅強。@yakubd.cc

简介：凱特（艾比·考尼什 Abbie Cornish 飾）的故事是一段充滿挑戰、堅韌和友誼的生活旅程。在阿富汗戰爭中失去丈夫讓她陷入了巨大的痛苦之中，但她努力經營着志願消防隊，同時還在小鎮上的農場裏與女兒（...

简介：女兒艾瑪（德博拉•溫格 Debra Winger 飾）是媽媽奧羅拉（雪莉•麥克雷恩 Shirley MacLaine 飾）的心肝寶貝，自小開始，奧羅拉就幫艾瑪安排好一切，艾瑪的言談舉止、修飾打扮、學習、玩耍、交朋友等等都必須經過奧羅拉同意。　　在丈夫早逝後，奧羅拉操持起家裏的一切，對艾瑪更加“專制”。艾瑪雖然表明很溫柔、軟弱，但是內心卻十分倔強。兩母女也因此多次吵架。奧羅拉一直沒再接受其他男人的追求，艾瑪也在和母親相依相偎、磕磕絆絆中長大。　　長大後的艾瑪開始極力擺脫母親的“專制”：她不顧母親的反對，嫁給了一個工作不穩定的研究生……她花了三十年去擺脫母親的“專制”，到頭來卻發現自己對母親的始終不忘的依依親情。

简介：本片根据真实故事改编。高中毕业生加布里埃尔准备在进入大学前，环游世界一年。十个月后，他和女友一同到达了非洲的肯亚。在这里，他想探索更多，于是他只身穿越各个村落，结识了新的朋友，最终到达了他旅途的终点——马拉维的姆兰杰山脉。

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简介：過氣演員諾瑪（葛洛麗亞·斯旺森 Gloria Swanson 飾）已經將近50歲，曾經的風華絕代正在她居住的荒廢豪宅裏慢慢凋謝，身邊只有好友馬克思（埃裏克·施特羅海姆Erich von Stroheim）伺奉。她沒放棄重燃光輝的夢想，《莎樂美》的劇本正待編寫，而逃避債務逃至此地的沒落編劇喬（威廉·霍爾登 William Holden飾），正是這項事業的最佳候選。諾瑪收留他住下，給他提供舒適的環境寫作，並慢慢的傾心於他。但是，喬並不能接受這個青春已逝的婦人。他拒絕了她，並轉過身和另一個美麗的女子謀劃新的劇本，他們相愛，打得火熱。　　諾瑪得知了喬的“背叛”，她卑微地哀求他，卻動搖不了他漸行漸遠的心，諾瑪終於舉起槍對準正要離開的喬。

简介：這是一部關於社交恐懼和情感障礙的故事。生活在奧立岡州的海岸小鎮，弗蘭的辦公室日常了無生趣; 偶爾側聽同事之間的對話，偶爾作作白日夢，偶爾思索死亡的意義，她自我孤立的狀態，彷彿幽靈般地存在於人世。直到新...

简介：任劍飛自小喪父, 母親全靠亡夫之弟任坤幫助, 始能維持生計. 坤疼愛侄兒飛, 處處呵護備至. 飛自小熱愛唱歌, 坤為完飛之歌星夢, 暗中動用畢生積蓄助飛灌錄唱片, 坤更在自己工作的唱片店為飛宣傳. 坤更因此而被開除. 一天, 飛應徵酒廊歌手, 但此職位已被樣子甜美的白詠仙奪得, 飛對白一見鍾情, 甘願在酒廊當侍應. 後來, 酒廊經理知悉飛歌喉不俗, 便請飛在酒廊試唱. 飛初試啼聲失準, 又與調戲白的酒客齟齬, 飛差點與酒客大打出手. 幸得坤及時趕到調停, 坤更暗中幫助飛繼續留在酒廊表演. 然而, 飛對坤有所誤會, 處處與坤作對. 更在母親生日飯餐中, 當眾辱罵坤, 使坤十分難堪. 幸得母親狠狠地教訓一頓, 飛始知錯怪了坤. 最後, 飛向坤道歉, 兩叔侄和好如初

简介：出品單位 北京環亞幕維影視文化有限公司　　本片講述了老幹部劉勝利瞞着家人毅然決然地接下了向陽辦事處關工委常務副主任這個費力不討好的苦差使，塑造了關工委常務副主任劉勝利的老幹部的光輝形象……