家人

简介：由安微无限精彩影视传媒有限公司出品，IFG星图传媒独家发行，讲述了上班族阿伟一次无意间透过窗外发现对面住着一个女孩，女孩很漂亮常常身着性感睡衣，身材诱人，并时常领着不同的男人回家，就这样偷窥成了阿伟每日的习惯，并用相机偷拍了她，逐渐的喜欢上了这个女孩，当阿伟捧着一束鲜花鼓起勇气敲开女孩家门时，发现对面根本没有住过女孩，打开门的竟然是一位老太太，当他给同事炫耀心爱女孩照片时，却发现照片中竟没有人，种种疑团由此产生……

简介：夜间班机因旅客大都熬夜熬得双眼通红，故得名为红眼班机。勒克斯大西洋酒店的高级行政人员丽莎（瑞秋•麦克亚当斯 Rachel McAdams 饰）今天不得不搭乘她最不喜欢的红眼班机，因为她必须在参加完祖母的丧礼后明天就赶回酒店工作。　　丽莎的运气还不错，在机场遇到了英俊潇洒的杰克逊（希里安•墨菲 Cillian Murphy 饰），两日相谈甚欢。更让丽莎惊喜的是，两人搭乘的是同一班红眼班机，而且还相邻而坐。本以为一段美好的缘分就此展开时，丽莎万万没有想到，原本温文尔雅的杰克逊露出了他的狰狞面目。原来杰克逊是恐怖分子的一员，他正要前往刺杀住在勒克斯大西洋酒店的安全部的高官。现在，恐怖分子绑架了丽莎的父亲，要求身为该酒店主管的丽莎协助杰克逊完成这一刺杀任务。在恐怖分子的要挟下，丽莎将何去何从？

简介：影片《丫山清風》以一起損害羣衆利益的毀林事件爲故事背景，揭示了當前存在於鄉鎮中少數幹部中的瀆職腐敗現象，展示了以縣委書記項遠、檢察長周磊、反貪局長鍾靈、大學生村官朱旺福等人爲代表的時代先鋒形象，通過講述檢察官剷除腐敗的精彩故事，反映他們心繫百姓、執法爲民的大愛情懷。

简介：A crew of young environmental activists execute a daring mission to sabotage an oil pipeline, in director Daniel Goldhaber’s taut and timely thriller that is part high-stakes heist, part radical exploration of the climate crisis. Based on the controversial book by Andreas Malm.

简介：大唐年間，金華縣有狐妖作祟，中秋前接連有人被咬噬致死。大理寺丞狄仁傑途經金華，陰差陽錯地捲入案子，他強行剋制自己的心理陰影，抽絲剝繭，最終靠悲憫心揭開了流傳了十五年的“狐妖迷案”……

简介：電影講述了同在一間銀行ATM部門中工作的何必（朱亞文飾）與蒙小鮮（張榕容飾），由於公司禁止辦公室戀情，正祕密的談着地下戀愛。與此同時300公里以外的熊仁鎮一個ATM機出現故障，取一倍的錢吐兩倍的現金，造成銀行財產損失。於是蒙小鮮和何必約定，誰先找到被多取得錢誰就可以留在銀行，另一個必須辭職。於是一場爭錢鬥愛的遊戲在小鎮迅速展開。

简介：瑞恩和詹尼弗是兩個性格迥異，彼此都對對方不感興趣的男孩和女孩，至少他們自己都這麼認爲。當他們12歲認識的時候，他們就彼此討厭對方；到中學的時候，他們還是討厭對方。而現在，他們在大學又相遇了，個性自由的詹尼弗和謹小慎微的瑞恩發現正是他們之間的不同成爲了彼此吸引對方的東西，他們之間開始了一段友誼，在他們的室有--瘋癲熱情的亨特和愛尋開心的阿米的幫助下，他們逐漸懂得了男孩子真正的希望和女孩子的需要，並且品嚐到了友情道路上的酸甜苦辣……

简介：《士氣爲零》導演攜手《狐步舞》製片人共同呈現了浪漫喜劇《新婚之夜》，影片講述的故事發生在耶路撒冷的一個晚上。一對新人在婚禮後來到了他們的豪華酒店套房，然而他們並沒有一起輕鬆地度過一個浪漫的夜晚，反而是陷入了一場爭吵，繼而演化成了一場眼花繚亂的城市之旅。在這個尋常又不尋常的夜裏，兩人面對了各自過去的愛情、壓抑的懷疑以及決定留在過去的生活。

简介：一批價值100億元的毒品在送往警察局的途中被搶走，警察局認爲負責護送毒品的吳組長有最大嫌疑，並着手調查。但是，堅信伍組長的清白的手下姜成洙在追捕嫌疑犯的時候，那個嫌疑犯發生交通事故而死亡。姜成洙用嫌疑犯的手機裏面的電話號碼進行調查，但是別的嫌疑犯一個接一個地死去，而案件越來越陷入迷宮。在一次追捕嫌疑犯時，姜成洙認識了嫌疑犯的朋友——交通臺的記者徐有真，他們都有似曾相識對方的感覺，而有真還預見了姜成洙死亡時的樣子。晴朗的天空下，拿着彼此的生命鑰匙的兩個男女，向24小時後預定的死亡奔去……

简介：《魅影之特种兵崛起》，讲述了一个秘密特工组织，挑选天赋有过于常人能力的人进行秘密培训，经过严酷培训淘汰后，只剩下五人成立“魅影”特工组为组织完成一系列机密任务，魅影出击，所向披靡！“魅影”却没料到，一个大阴谋正在逐渐浮出水面，敌我双方的内鬼究竟是谁，私人恩仇和任务大局，“魅影”又该如何取舍！

简介：愛爾蘭裔的丹尼·格林（雷·史蒂文森 Ray Stevenson 飾）出身於柯林伍德東區，在這片黑手黨控制的街區裏，格林從小就不斷嘗試挑戰西西里孩子們的權威。1960年，當時在克利夫蘭湖區碼頭工作的格林用暴力掌控了碼頭裝卸工工會，從此他和一班幫手半公開的盜竊貨物，敲詐勒索。克利夫蘭警方不得不將格林收押，終止了他日益發展的犯罪事業。出獄後的格林另謀出路，爲了統一垃圾車業務他選擇與黑手黨合作。聲名鵲起的格林不再騷擾普通人，反而樂善好施打抱不平，這令其贏得了“羅賓漢”的稱號。然而格林與黑手黨不久即因利益分配發生衝突，引發了一連串瘋狂的炸彈襲擊……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.