餓鬼食堂

简介：有着450多年曆史的狼兵部隊後裔文山壯族兒女組成的新一代狼兵敢死隊驍勇殺敵，狼兵之花陸小妹（徐冬梅 飾）奉命執行挽救民族危亡的絕密行動，充滿血性、身手不凡的狼兵大英雄“飛狼”火線救援，與兇殘強大、溫柔背後暗藏變態殺機、手段極其陰狠的對手日軍特別行動隊隊長川村犬男殊死搏殺，鷹峯嶺土匪混 水摸魚。危急關頭，總有一個神祕人物出現。各方勢力橫插一槓的烽火線上，重現拼死殺敵，誓死衛國的百年狼兵雄風……

简介：男星不堪壓力，臨陣辭演舞臺劇，獨自逃到海邊小鎮水療按摩。但有些事情註定逃不了，他在那裏意外重遇舊情人。她以教琴爲業，育有一女；他薄有名氣，卻無人分憂。以爲已經淡忘對方，竟是再見如故，十五年前錯失的一切，再次擺在面前。史提芬畢西（《她的一生》）完成他的「勞資衝突三部曲」後，轉而描繪一份不合時令的感情，透過優美畫面及動人琴音，溫柔細膩表現久別重逢的愛與痛，並有吉翁卡列和影后艾芭諾宜娃查傾情演繹，令故事更添韻味。

简介：登山ガイド３年になる立花柚月（工藤夕貴）は、ＷＥＢサイト「山女日記」で山ともだちを作りたいという投稿者に、山のイベントへの參加を促す。山フェスの日、引っ込み思案で山トモがいない西真奈美（黒谷友香）は、山女日記の投稿者の熊田結衣（舞羽美海）に聲をかけられ、意気投合。同じくフェスに來ていた中野親子（利重剛・山根和馬）とともに、燕嶽へのテント泊ツアーに參加する。柚月はガイド仲間である木嶋嶽志（黃川田將也）とそのガイドを務めるが、途中、木嶋のフィアンセと噂される三島さゆり（黒川芽以）の勝ち気さにパーティが困惑したり、真奈美が酸欠で登れなくなってしまう。

简介：幸運是她的名字。儘管面對破裂婚姻，獨力帶着八歲女兒，她仍深信幸運在自己手裡，夢想有天能高飛，盼望彩票中頭獎，開一家屬於自己的幸運髮廊。這位「羅馬媽媽」有個心結，父親早死，她一直沒走出陰影。失意時遇上愛情，與愛女關係卻日趨惡化。羅馬水道橋前，大媽廣場舞是時代標記，中國移民放貴利。演而優則導的卡斯迪里圖，在執導《戀火浮生》後，再度與編劇妻子合作，回到家鄉羅馬取景，請來漢娜舒古拉重量級客串，女主角潔絲敏婷卡更於康城影展「某種觀點」單元獲封影后。

简介：莱特（杰森·斯坦森 Jason Statham 饰）是一个不守规矩、只认死理的前纽约警察。一天，他在地铁站里看到一群持械的黑帮成员在围剿一个12岁的华裔女孩梅（凯瑟琳·陈 Catherine Chan 饰）。他心里的正义感油然而生，遂出手教育了这群黑帮，并把小女孩保护了起来。紧接着，香港的三合会成员、俄罗斯混混以及政客派来的杀手和警局里的恶棍源源不断地找上门来。无奈之下，莱特只得带着梅在纽约的版图上开始了东躲西藏的亡命生涯。原来，梅有着过目不忘的本领，她记下来了一连串的数字，而这些数字经过解密后是一个密码。知道了事件原委的莱特决定帮助梅度过难关。但是，的又等待他们是一场怎样的战斗呢？

简介：本片講述的是謝天長與呂依陽兩位無血緣關係的兩位孤兒的故事，因小呂依陽被追打，謝天長見義勇爲出手相助卻意外誤傷殺人被叛入獄，因此錯失了自己的摯愛素芳。多年後成年呂依陽與謝天長從相見不相識到真相大白，呂依陽感恩謝天長而謝天長因覺得是呂依陽毀了他的一生而不願相認，後因謝天長車禍危在旦夕，呂依陽女友慧美捐腎依陽主刀手術，兩人合力救下天長，經歷生死後的天長最終決定放下心結好好生活。

简介：上元節燈會，百姓爲天后武則天祈福，莫名出現一頭全身浴火的怪獸，目擊者聲稱是“浴火麒麟”。據說生食麒麟血肉可以治療百病，武則天隨即下旨大理寺卿薛鑫七日之內查明真相。少年狄仁傑來長安城升任大理寺“寺丞”，結果得知上元節怪案，自己需要等破案後才能述職。本想老老實實等待述職的狄仁傑，對這個離奇案件心癢難耐，陰差陽錯捲入案件。經過一番調查後，狄仁傑終於找到了所謂的“浴火麒麟”，原來老王爺李淮的孫子得了一種怪病，身上長滿了堅硬的銀屑，就像一隻披鱗甲的怪獸。然而，事情的真相並沒有這麼簡單，狄仁傑因爲擅自行動被薛鑫不喜，不允述職，將其趕回幷州。狄仁傑在離開長安前，將所有疑點串聯了起來，發現始作俑者竟然是大理寺卿薛鑫。就在薛鑫利用小王爺刺殺武則天的目的即將得逞時，狄仁傑及時趕到，成功阻止了他的陰謀。

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《热恋慢慢来》（Slow）探讨鲜少被关注的无性恋者世界，在一场听障学生的舞蹈课，豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情，对方却是位无性恋者，两人互动将激发观众对欲望的全新理解。

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简介：在都立杜鵑花臺高中放學後的教室裏，響裕太在筆記本上一遍又一遍的畫着GRIDMAN。這個世界曾經被一個少女創造、又被破壞。拯救了那個少年的心的，是從異次元來的超級代理人GRIDMAN，少女製作了擁有心靈的怪獸，以及裕太他們。在和平的世界力生活的他們，日常生活隨着一身聲巨響開始崩潰。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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