烏珠穆沁戀歌

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简介：A crew of young environmental activists execute a daring mission to sabotage an oil pipeline, in director Daniel Goldhaber’s taut and timely thriller that is part high-stakes heist, part radical exploration of the climate crisis. Based on the controversial book by Andreas Malm.

简介：三个毛头小子正在自拍他们号称“世界上最酷最疯狂”的搞笑视频短片“靶心”。看到互联网上频繁暴增的点击量，三人动心不已，着手筹备一部大项目——一部世界上最危险的影片，他们叫它《电影43》。当他们键入“电影43”到一个私人服务器的时候，发现了禁止视频。随即而来的《电影43》的播放列表，不仅让三人瞠目结舌，更足以让你在这十二个独立又相互关联的故事中，惊喜交加。　　这部由十一名导演、十五位编剧和十一个剪辑师共同打造的《电影43》，群星云集，带来史上最强明星阵容，艾玛·斯通、哈莉·贝瑞、凯特·温丝莱特、科洛·莫瑞兹等十几位好莱坞大牌明星联袂亲情演绎。众多知名明星使出浑身解数，颠覆形象之余大秀搞怪底线，上演一出爆笑连连的喜剧视觉大餐。

简介：正在度假的房产税收专家露易莎·劳伦特（Silvia Abascal 饰）接到上司爱德华多的电话，要求她火速前往位于蒙特·奈格洛的瓦德马尔公馆。这座公馆建造于维多利亚时期，有着悠久的历史。早在一个月前爱德华多便派下属奥利西亚前去进行资产评估，准备将公馆拍卖。然而奥利西亚从此杳无音讯，适逢拍卖日期提前，他只得匆忙找到露易莎。经过一番讨价还价，露易莎临危受命。她来到这幢破败的宅邸，却在视察内部情况是见到一具高度腐烂的尸体。　　4天后，露易莎也宣告失踪。她的老板马克西米连（Eusebio Poncela 饰）万般无奈，找到私人侦探尼古拉斯（Óscar Jaenada 饰）调查两名员工的下落。尼古拉斯却在调查过程中，慢慢揭开瓦德马尔公馆那令人心悸且鲜为人知的过去……

简介：投資直播公司破產、欠了五十萬債的東北姑娘楊楊爲了躲債偶然躲到了山東一個村裏，住進了村裏唯一一家家庭民宿。　　經營民宿的孫二嬸以一哭二鬧三上吊的方式把在北京打工好幾年、事業上毫無起色的兒子大光硬拖回了家。連番無數次相親失敗之後，不願結婚、一心只想去北京闖的大光把最後一次相親搞砸了。孫二嬸下了死命令，找不到對象，絕不放大光去打工。　　被催債沒轍的楊楊像每次捅了簍子一樣去找老爸老楊。爲了從老爸那獲得投資，把入住的民宿說成了自己投資開的，而且經營良好。老楊很高興，但是——決定第二天派得力助手張會計來考察。這回楊楊撒下的謊，不知如何去圓。　　一個需要女朋友，一個需要當老闆。靈機一動，楊楊想出了雙贏的計劃，於是跟大光談交易，她扮演成大光的女朋友，讓他能順利去打工，大光配合她扮成老闆，讓她順利拿到老爸的投資！　　二人花錢僱村民當客人，組成了一支“蝦兵蟹將”臨時團隊，僞裝出生意興隆的假象，但一個謊言需要無數個謊言去掩蓋，雪球越滾越大，事情的發展終究超出了掌控……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：金無法相信他心愛的孩子芭芭拉公主已經長大成人。他仍然試圖照看公主，但是16歲的芭芭拉在她的生日聚會上發脾氣。當所有人都心煩意亂的時候，王位卻被一個狡猾的郵差黃鼠狼搶走了。然而，由於不滿足於成爲王國的唯一統治者，他還打算嫁給芭芭拉。芭芭拉公主跑出宮殿，發現自己在森林深處。她碰到了歹徒布吉和他的朋友邪惡的兔子。芭芭拉的干涉嚴重破壞了這兩個朋友普通的單身生活。芭芭拉幹預每件事，安排自己的一套規則，並不斷讓他們對她關於愛德華王子的假設感到不安。她想象愛德華王子如何擊敗冒名頂替者，恢復國王的職位，並向芭芭拉求婚。就像書上說的。爲了除掉芭芭拉，布吉決定去尋找愛德華王子，阻止黃鼠狼，恢復王國秩序。

简介：意圖征服一切的霸天虎全員出擊，塞伯坦即將隕落，B-127（迪倫·奧布萊恩 Dylan O'Brien 配音）臨危受命前往地球。在1987年的加州，B-127不僅遭到特工伯恩斯（約翰·塞納 John Cena 飾演）的追捕，更被閃電（大衛·索博洛夫 David Sobolov 配音）毆至重傷，語言模塊和記憶模塊嚴重受損。B-127變形爲大衆甲殼蟲，被失去了父親（蒂姆·馬丁·格利森 Tim Martin Gleason 飾演）的查莉·沃森（海莉·斯坦菲爾德 Hailee Steinfeld 飾演）發現並開回家。查莉爲B-127取名大黃蜂，雙方成爲親密無間的好朋友。然而好景不長，反射彈（賈斯汀·塞洛克斯 Justin Theroux 配音）與粉碎（安吉拉·貝塞特 Angela Bassett 配音）追至地球，利用美國軍方的衛星網絡追蹤到大黃蜂，並企圖將霸天虎大部隊召喚到這裏。爲了阻止反彈射和粉碎，大黃蜂和他的新朋友一起踏上了保衛這個藍色星球的征途……

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简介：剛剛從消防兵退役的耿向東回到了家鄉，有見識的耿向東，一回家就利用互聯網 的形式，給家鄉創辦了一個電商銷售農產品的平臺。工作之餘，耿向東眼見村裏的安全隱患隨處可見，準備帶領村裏的年輕人成立一個農村義務消防隊，消防隊不光滅火救人，還能在一定程度上幫助農村的留守兒童和空巢老人……

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简介：人生坎坷的李俊硕（朱相昱 饰）出生在一个平民家庭，家里有病重的奶奶需要照顾，在所读的高中又饱受学习家境人气具出类拔萃的姜昌植（杨东根 饰）等人的欺负。他忍气吞声，默默按照昌植的指示做各种惹人生厌的事。然而昌植等人丝毫没有收手打算，他们变本加厉，残忍侮辱了俊硕的女友尹素恩，以致女孩自杀身亡。此去经年，孑然一身的俊硕四处求职，人生窘迫。在某个意外的日子里，他重逢造成其人生悲剧的昌植。此刻的昌植借助老爹的背景成为某地产公司高管，并且与美丽的女医生智姬（李素琳 饰）交往。 已然没有什么可失去的俊硕，展开了向昌植的报复行动……©豆瓣