小小的願望

简介：

阴暗压抑的工业小镇，刺耳的机器轰鸣噪音。亨利•斯班瑟（杰克·南斯饰）初次拜访女友家，然而目睹到的却是一个怪异扭曲的家庭，霸道的母亲、无能的父亲、植物人似的祖母以及笨拙的女儿。而更令亨利感到无助的是，他被迫与女友结婚。一夜之间，亨利成为一个畸形儿的父亲。相貌丑陋恶心的婴儿让亨利异常恐惧焦虑，也让新婚妻子因忍受不了婴儿的啼哭而半夜出逃。亨利再也忍受不了如此不堪的生活和夜夜噩梦，他最终亲手用剪刀肢解掉了这个畸形的早产儿。                                                                      　　由美国电影新浪潮运动旗手大卫·林奇创作的长片处女作《橡皮头》，历时五年完成。一经公映，便以强烈的前卫诡异风格挑战了当时还相当传统和保守的电影界。在情绪化的摇晃镜头与随处可见的阴暗腐败中，大卫·林奇构筑出了一幅扭曲病态的家庭人物关系，赤裸裸地破开人性的阴暗面。这种运用弗洛伊德心理分析，来剖析人类精神世界中焦灼郁闷的手法，加上极具视觉冲击力的影像，让大卫·林奇在影坛独树一帜。

简介：

十六岁的伊华，跟她的猫一样躁动抓狂。她愈来愈受不了同住的母亲和妹妹，更想亲近已分居的父亲。然而她的艺术家父亲经常情绪失控，伤己也伤人。成长刺痛，性欲涌动，早熟且敏感的她，发现身边的成年人都不可依靠，只能靠自己横冲直撞，体验青春的暴烈与温柔。生于哥斯达黎加的新锐导演华伦天娜莫雷尔，首部长片细腻描写少女的焦躁不安、狂野叛逆，以及既亲密又冲突的父女关系。洛迦诺电影节惊艳之作，囊括最佳导演及男、女主角三项大奖。

简介：亞歷山大·斯特恩，又名艾斯，是一名私家偵探，有一位非常要好的小兄弟瑪克bbb。一日，日本人村田找到他，僱傭他尋找一位老婦人，要和她進行一筆房產交易，但是老婦人在克魯律師的協助下，已經將房產賣給其他人。r日本人又盯上另一處房產，房產的主人便是瑪克絲的外祖父格諾，但是格諾在去往律師事務所的途中被人殺害，艾斯親眼目睹了這一切。格諾的繼承人是瑪克絲的母親格蒂——一個患有精神病的婦人，不幸的是，格蒂也被神祕暗殺了，而艾斯仍舊是目擊者。r瑪克絲成了唯一的合法繼承人，而他似乎正被克魯律師所控制，艾斯要救他的兄弟於危難之中，沒想到，自己卻無故進了警察局，接受審訊。與此同時，瑪克絲已將房產賣給了村田，準備帶着錢環遊世界，願望沒達成，他被克魯的人殺死了。r艾斯以爲這一切結束了，這時，克魯出現了，他告訴艾斯，其實，瑪克絲纔是真正的幕後黑手……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：新上任的捕快刀宜长奉旨判案，误打误撞救下了精通“奇门遁甲”之术的江湖组织“雾隐门”女弟子铁蜻蜓。铁蜻蜓受门派老大之托，调查神秘的天外来物踪迹，当众人惨败之际，二师兄诸葛青云却带着神秘少女小圆圈归来，并称此人是新任掌门，铁蜻蜓与诸葛青云陷入芥蒂，另一边老大与其它几大门派长老也因为抢夺神器而开始厮杀。因为“天外来客”的降临，各大门派对雾隐门进行了追杀，因为小圆圈身世不明，门派内也争执不断，眼看大敌当前，正邪之战即将爆发，一场天地浩劫即将来临……

简介：又一年清明將至，自幼生長在孤兒院且性格張揚跋扈的美麗女孩楊潔（霍思燕 飾）接到一封信，信中稱久未相見，邀她回來探望，並隨信附上一張開往“清明站”的火車票。楊潔返回孤兒院，卻發現發信人並非當年照看她的院長，爲了一探究竟，她決定登上那列神祕列車。列車詭異陰森，氣氛肅殺，列車長（王雙寶 飾）表情捉摸不定，似有隱情，而在餐車做飯的瘋女人（惠英紅 飾）則將楊潔認成自己的女兒，大受驚嚇。所幸她在途中邂逅了英俊帥氣的紅毛（李宗翰 飾）。給她以短暫而虛幻的安慰。　　需要面對的終將面對，那段被遺忘的經歷，在開往清明的路上慢慢揭曉……

简介：羅伯特（連姆·尼森 Liam Neeson 飾）是一名畫家，他的妻子在早年間過世了，這一次，他從倫敦趕往意大利，就是要處理他曾經和妻子一起生活過的那幢充滿了回憶的房子的。妻子的死讓羅伯特和兒子（米歇爾·理查森 Micheál Richardson 飾）之間的關係日漸疏遠，對於父親想要將房子賣掉的決定，兒子也非常的不理解，這讓父子兩人的感情雪上加霜。　　羅伯特發現這幢房子要遠比他記憶裏破舊的多，不僅如此，他還在客廳的牆壁上發現了妻子留下的大片意義不明的彩繪。爲了將房子賣出個好價格，羅伯特和兒子打算親手修繕這間屋子，在此過程中，兩個人都收穫到了人生的真諦。

简介：楊氏家族是香港首屈一指的黑幫大家族，家長楊雲峯深受黑白兩道敬重，長子楊鐡嶽，女兒楊小青俱才智過人，養子阿龍長袖善舞，智囊Micheal則深藏不露，在一次楊家與三大家族惡鬥中，雲峯，鐡嶽與及男友Peter均遭伏擊慘死，父死兄，親夫亦亡，小青堅強無比，決定復仇，以暴易暴，而Micheal亦對小青產生愛意決定助小青查出 幕後主謀人……

简介：電影《憨爸》是由樂影盟出品，福建西窗影業聯合出品並承製，鄧象平出品、知名青年導演楊木生執導的一部親情倫理劇情長片。影片主要講述的是養父劉老實帶養女劉小花千里跋山涉水、翻山越嶺的尋親故事，該片通過兩個小人物的曲折尋親路，折射出人性、親情、倫理和社會現實問題。　　南方的某個城市，有一個靠踩三輪自行車拉客爲生的師傅叫劉老實，他今年五十幾歲了，女兒劉小花八歲，剛剛上二年級。劉小花是劉老實當年從垃圾桶裏回來的女嬰，自從老伴去世後，他和女兒相依爲命，每個月靠着低微的收入支撐着兩人的日常生活以及女兒的學費花銷。　　每天傍晚，劉老實都會在女兒下課時，騎着三輪車把女兒載到自己“工作的地方”，然後繼續騎車拉客賺錢，而乖巧的女兒也每天都會在這個時候自己撐起小桌板認真地做作業。儘管他們收入低微，生活拮据，可父女之間的親情卻是彼此溫暖的依靠。　　然而，上天不遂人願，有一天醫生告訴劉老實，他得了重症，面對着高額的治療費用，這個家庭根本承擔不起。劉老實想到自己將不久於人世，陷入痛苦自己走了之後,年幼的小花該怎麼辦？最終，他決定帶着孩子去找她的親生父母。　　如果說血融於水，那麼這麼多年來養父對女兒的養育之恩早已遠遠的濃於這份親情。劉老實捨不得女兒離開自己，可比起這份不捨，孩子的以後更加重要。於是年邁的養父帶着女兒開始了尋親之旅，不料，途中女兒卻遭人販子誘拐……

简介：Raquel and Ares are in a long-distance relationship. They finally reunite during summer on the landscapes of Costa Brava with their friends, Raquel and Ares begin to question whether their relationship can endure the test of time.

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简介：A woman gets an opportunity to save the life of a 12-year old boy who witnessed a death during a thunderstorm which happened 25 years ago, by getting connected through the television set during a similar storm in the present