聖體

简介：生態學專家、恐怖分子諾亞在北海油井平臺上按裝了兩枚炸彈。他威脅政府說，如果不馬上停止核試驗，他就引爆炸彈。當地有成百上千的大人和兒童。這是聖誕前夕。政府不會妥協。一場暴風雨破壞了人員疏散計劃。兩名拆彈專家到達了油井。一個被炸死。另一個，是個年輕女人，從沒拆過炸彈。她有勇氣嘗試嗎？她能找到幫手拆除另一個炸彈嗎？她知道諾亞的炸彈從來沒有人拆除過嗎？可是她還是義無反顧地朝炸彈走去。

简介：一百多年前，中國少林武學家武天行，在日本擴廣少林武學，卻惹起日本四大御前侍衛家族的挑戰，武天行連敗三家，最後與千葉家門主千葉奔雷一場驚天動地的大戰後，千葉奔雷戰敗，但心有不甘，希望再與武一戰，武天行敬重他是真正的武者，答應雷，就算自己死了，他的子孫亦會接受挑戰。一百年後，千葉家的子孫千葉歸一四處尋找 武家子孫的下落，不斷挑戰少林派武館，而歸一一直只知練武報仇，連維生之道亦不懂，弄至要行乞度日。而武家傳人武道一，在一漁村與自幼相識的子慧在同一豆腐店工作，道一則在店的天井內開設武館，可惜多年來，只有一人拜師學藝。道一父親臨死前告戒不可以動武，更把一佛珠交給一，要他出手時三思。

简介：二戰期間，一個連環殺手如鬼影般籠罩着德國漢堡，雖然罪行累累，警方卻兩年來拿他束手無策。一位警探決心重新調查這樁棘手的案件，SS起初還支持他的工作，不日就把這個案子又壓了下來，而隨後，他企圖阻止一起明顯不公的審判，拒絕執行命令並因此受到上級處罰，被送往前線。

简介：該片講述的是一個富家女，因爲厭倦做富二代的生活，而逃離了原來的生活圈。完全憑藉自己的能力在北京打拼，在外人看來奢華的物質和享受，其實都是靠自己吝嗇摳門摳出來的，並從《時尚經濟學》的角度分享“摳門”之精華所在。故事通過富家女的的生活方式貫穿出四個不同身份、不同家庭環境、不同性格的人，在現實的社會當中的感情歸屬，對生活的選擇，以及在不斷成長中所發生的改變。《摳錢家族》突破了傳統偶像劇對富二代的詮釋，從經濟學的角度，爲白領打開闢了一條低成本享受了高品質生活的“摳門”之路，絕對讓傾囊大半月工資敗大牌的你尖叫不已。愛情在本劇中又以另一條主線闡述了現實社會的浮躁，虛榮，利益金錢與人性的糾葛，極具看點，不容錯過。

简介：

镇国公造反，民不聊生，女将军古采兰舍命保护年幼的太子，杀出重围，并化身为老师，隐姓埋名藏身在了南方柳江镇的旋风书院里，以图东山再起。柳江镇的首富柳员外的独子柳淳风，外形俊美，一身好功夫，还擅长音律，可惜性格放浪，整日无所事事。柳淳风早听说旋风书院江河日下，校纪松散，为了轻松悠闲，坚持选择旋风书院就读。同时，赵德先、上官语、沈飘飘、林英雄等几个镇上年轻人，也是抱着各自不同的目的，选择了旋风书院。旋风书院连续输掉多年比赛，书院牌子就快不保。师生们奋力备赛，誓要赢得今年的比赛，却...

简介：韋德是一個新罕布什爾州小鎮警長，在他的前妻和女兒吉爾看來他一事無成，還是個酒鬼。他的女朋友瑪吉接受了這樣的他。狩獵季節的第一天，韋德的朋友傑克帶着一個富商去打獵，只有傑克活着回來。韋德決定扮演偵探，並開始調查此案，儘管傑克堅稱這是一次意外的自殺……

简介：

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：蝶在中學時代和好友真真產生了莫名的同性之愛，但是事情不是總那麼簡單，由於家裏人的介入，她迫不得已離開了真真，還交了男朋友成年的蝶是一所中學的老師，有疼她的老公，可愛的女兒，生活幸福美bbb。然而，在超級市場偶然邂逅的小葉成爲了她心中不滅的陰影，兩人的感情漸漸說不清，道不明瞭。

简介：Twenty years ago at the infamous Redwood Farm, the owner went mad and killed his family and himself. Shrouded in urban legend ever since, a stranger obsessed with the unsolved Redwood murders convinces a group of bereaved family members to venture into the wilderness in the hope of proving the existence of the notorious burlap bag-masked maniac. Their quest for truth sees a sinister turn of events, as the hunters become the hunted and a blood-soaked fight for survival ensues when they find that the sinister tales told of the axe-wielding psycho farmer are very real indeed.

简介：一個16歲的女孩從夏令營回家，得知她媽媽有了個要結婚的新男友，而這個迷人、帥氣、聰明的男人，看起來可根本不像是人類。

简介：德國導演法提赫·阿金將拍攝一部犯罪題材新片。影片改編自海因茨·施特龍克的小說《金手套》，故事源自真實事件。1970年至1975年，一個名叫弗裏茨·洪卡的心理變態兇犯在漢堡紅燈區謀殺了四名女子，他挑選“獵物”的地點是家名爲“金手套”的酒吧。