八腳怪

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简介：故事根據60歲的出租車司機Kempton Bunton在1961年從倫敦國家美術館偷走了一幅戈雅的畫的真實故事改編。Bunton發了一封勒索信說，只有在英國政府同意爲老年人提供免費電視的條件下，他纔會退還畫作。 然而，事實證明他正在撒謊，在接下來的50年裏，他都沒有出現。該事件也是國家美術館歷史上首次也是唯一一次盜竊事件。

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“名侦探柯南系列”第23部动画剧场版，票房和口碑也屡破纪录。作为平成年代最后一部柯南电影，首次将案件发生地设立在海外，基德时隔四年后再度回归，与柯南合体展开行动。故事围绕着19世纪末与海盗船一同沉入海底、世界上最大的蓝宝石“绀青之拳”展开。

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炎热的暑假，女生们还要在学校补课，早就坐不住的她们自动请缨去送午餐给为棒球队打气的管乐队。一路上嘻嘻哈哈的她们快到终点才发现因为天气炎热饭盒早就变坏了，而管乐队队员毫不知情地吃下去，随之而来的身体不适让而唯一没有吃饭盒的中村要求女生们负责，组成爵士乐团。可是女生们不懂得演奏乐器。                                                                      　　艰苦的训练开始了，可是痛苦中也带着甜蜜。

简介：一系列匿名信将欧盟中某些政要的腐败丑闻曝光，英国政府派出政府官员前往布鲁塞尔进行调查。这些本身亦有过不清白经历的官们是否能应对道德挑战呢？本片由三届英国电影学院奖得主、金球奖影帝约翰·赫特主演, 并参选第37届柏林电影节金熊奖。

简介：北洋時期，正義的麻匪“北狗”帶領手下殺掉了銅山鎮的玄武大帥，維護了鎮上的安寧。之後，都統手下夏參謀爲收回此前在鎮上被劫的黃金來找玄武大帥，進退兩難的“北狗”爲了正義與之殊死一戰，保住了銅山鎮的安寧。

简介：麥琪（伊麗莎•班尼特 Eliza Bennett 飾）是一個生活在德國的12歲小女孩，她和父親阿莫（布蘭登•費舍 Brendan Fraser 飾）相依爲命。媽媽萊莎（Sienna Guillory 飾）在麥琪尚在襁褓中時便神祕失蹤，十幾年來阿莫憑藉舊書裝禎的手藝維持父女二人的生活。麥琪對母親的下落充滿好奇，而父親則三緘其口。孤單的小女孩每日徜徉書海，任憑思緒飛揚。某晚，一個骯髒邪惡的傢伙（Paul Bettany 飾）闖入父女的家中，阿莫和女兒倉皇逃到姑媽愛利諾（海倫•米蘭 Helen Mirren 飾）的家中，此時麥琪終於得知母親失蹤真正的原因以及父親所具有的神奇能力。原來阿莫能夠通過閱讀將書中的人物帶到現實的世界中來，而這也正是災難的開始……　　本片根據德國著名女作家科尼莉亞暢銷叢書中的第一部改編。

简介：十三年前在一个繁忙的西海岸码头，美丽的金发女理劳拉发现她可爱的三岁女儿失踪了。在这几年以来，劳拉遭受了很多内疚。多年后，劳拉·帕丁顿与丈夫离婚，她想要重新开始她的生活，多年以后，她成为一名有名的律师，并找到一个新的合作伙伴：雅各布，他也失去了一个孩子， 可能失踪的孩子寻找工作使劳拉与青少年雅各布更深接触，起初，当劳拉遇见雅各布的时候，他似乎是完美的人物，雅各布告诉劳拉，她必须从女儿的失踪痛苦的生活里走出来重新开始。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

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情場老司機範凡（鄭愷 飾）在機緣巧合之下決定開辦一個“男神訓練營”，用自己獨到的戀愛心得助那些在愛情裏苦求不得的單身狗們進化成“最佳男友”。一場婚禮上的“實踐教學”讓伴娘女神（張雨綺 飾）被套路之下的真心打動，幾個徒弟都擁有了夢寐以求的愛情。但作爲“專家”範凡自己的感情生活卻是剪不斷理還亂……

简介：本片講述了在中國人民解放軍某戰區的一場紅藍軍事演習中，紅軍王牌特種作戰小隊“天虎突擊隊”在執行偵察任務時，陷入了藍軍設計好的陷阱，以狙擊手慄劍爲代表的6名精兵強將經過苦戰才驚險逃脫……此刻，紅藍兩軍的正面戰場已經全面打響，剛逃出重重包圍的天虎突擊隊，接到了指揮部的絕密任務，突襲並破壞藍軍的無人化作戰中心，但天虎突擊隊將要面對的是戰鬥經驗極其豐富的藍軍特種部隊……