堅牆

简介：愛麗絲（米拉·喬沃維奇 Milla Jovovich 飾）重回在東京，向安布雷拉公司復仇。後者潛藏在地球的底部，威斯克（肖恩·羅伯茨 Shawn Roberts 飾）執行着自以爲是的安 全技術標準。愛麗絲闖入了禁區，直搗黃龍。而威斯克竟然不惜毀滅城市做困獸鬥。最終，當他駕駛着直升機逃離時，卻被愛麗絲脅迫，情急之下，他向愛麗絲身上注入了具有對T細胞的免疫病毒，令她喪失了超能力，只能駕機飛翔荒無人煙的阿拉斯加。地球上已經177天沒有生命跡象。然而，愛麗絲卻意外發現了克萊爾（艾麗·拉特 Ali Larter 飾）。她們循着阿卡迪亞信號，回到了地獄之城，滿眼的殭屍令人觸目驚心。迎接她們的是同樣聽到信號的倖存者。在神祕犯人克里斯（文特沃斯·米勒 Wentworth Miller 飾）的幫助下，她們向阿卡迪亞之船進發……

简介：一对女孩维多利亚·迪桑（梅根·查彭提尔 Megan Charpentier饰）和莉莉·迪桑（伊莎贝尔·内利瑟 Isabelle Nélisse饰）的母亲被他们的父亲所杀，父亲也随即自杀并将两个女儿遗弃在树林里。五年后，她们被发现时状况极差，孤独、饥饿，她们对一切的肢体接触都会感到恐惧和抗拒，没人知道她们是如何在如此孤独的环境中存活的。叔叔卢卡斯（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau饰）和女友安娜贝尔（杰西卡·查斯坦 Jessica Chastain饰）收养了她们，原本平静的生活就此打破。黑暗中，总有一个如影随形的亡魂，而这个想要置他们于死地的鬼魂，两个女孩叫她：妈妈。　　本部影片是西班牙导演安德斯·穆斯切蒂的长片处女作，翻拍自他2008年拍摄的同名短片。

简介：本片講述的是謝天長與呂依陽兩位無血緣關係的兩位孤兒的故事，因小呂依陽被追打，謝天長見義勇爲出手相助卻意外誤傷殺人被叛入獄，因此錯失了自己的摯愛素芳。多年後成年呂依陽與謝天長從相見不相識到真相大白，呂依陽感恩謝天長而謝天長因覺得是呂依陽毀了他的一生而不願相認，後因謝天長車禍危在旦夕，呂依陽女友慧美捐腎依陽主刀手術，兩人合力救下天長，經歷生死後的天長最終決定放下心結好好生活。

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简介：本片根據蘇珊娜凱森的自傳體小說改編而成。蘇珊娜（薇諾娜·瑞德 Winona Ryder飾）本是正值花季的普通少女，卻被診斷爲“邊緣精神錯亂症”而送進了精神病院。雖然蘇珊娜深陷現實世界的精神壓力中飽受折磨，但在精神病院蘇珊娜結識到了一羣看似乖戾卻不同尋常的新朋友。具有反社會人格的莉莎（安吉麗娜·朱莉 Angelina Jolie飾），帶領患有說謊癖的喬治娜（克麗·杜瓦爾 Clea DuVall飾），對火深懷恐懼的珀麗（伊麗莎白·莫斯 Elisabeth Moss飾），不能當着他人面進食的戴西（布萊特妮·墨菲 Brittany Murphy飾）等其他女孩，做出了很多令人瞠目結舌的舉動，這令醫院管理人員頭痛不已。蘇珊娜逐漸融入了女孩們的“祕密活動”中。這一次次離經叛道的瘋狂冒險，使她踏上了一場尋找自我的精神之旅。　　安吉麗娜·朱莉因本片榮獲第72屆奧斯卡金像獎(2000)奧斯卡獎-最佳女配角。

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伊娃·格林将领衔主演新片[肮脏天使](Dirty Angels，暂译)，这也是绿娃与[007：大战皇家赌场]导演马丁·坎贝尔时隔17年后再度携手合作。故事围绕2021年美国从阿富汗撤军展开，一群女兵冒充医疗救援人员，去营救被ISIS和塔利班夹在中间的被绑架青少年。

简介：本片以六十年代的香港社会为背景，以吴孟达（王十多岁男妓）、张敏（飞女组大家姐）和刘玉翠（坏透的女学生）三父女为骨干，连同杨丽菁、谢佩诗、吴绮莉、黄敏儿等组成的飞女群，反映当时一个十分严重的社会问题。反飞组陈晓莹、张坚庭与这群飞女周旋。故事由一个街坊福利会主办的舞会开始，在酒楼卖烟的飞女首领张敏在舞会上与客发生打斗而被送进往差馆。与此同时，其妹刘玉翠和父吴孟达亦分别因高卖及非礼而被捕。三人在差馆遇上反飞组的陈晓莹及张坚庭，张坚庭对张敏一见钟情，陈晓莹亦因此与张敏发生磨擦…

简介：三个毛头小子正在自拍他们号称“世界上最酷最疯狂”的搞笑视频短片“靶心”。看到互联网上频繁暴增的点击量，三人动心不已，着手筹备一部大项目——一部世界上最危险的影片，他们叫它《电影43》。当他们键入“电影43”到一个私人服务器的时候，发现了禁止视频。随即而来的《电影43》的播放列表，不仅让三人瞠目结舌，更足以让你在这十二个独立又相互关联的故事中，惊喜交加。　　这部由十一名导演、十五位编剧和十一个剪辑师共同打造的《电影43》，群星云集，带来史上最强明星阵容，艾玛·斯通、哈莉·贝瑞、凯特·温丝莱特、科洛·莫瑞兹等十几位好莱坞大牌明星联袂亲情演绎。众多知名明星使出浑身解数，颠覆形象之余大秀搞怪底线，上演一出爆笑连连的喜剧视觉大餐。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：爱情故事是亘古不褪色的话题。新时代下，物质生活水平的飞速增长和日益增长精神需求，人们对价值取向，美的追求究竟是怎样的呢？本片结合时下流行的 “说走就走的旅行”，将四段丰富斑斓的感情故事，与独具特色的红海滩自然风景符号融合一起，不得不说是机缘巧合的色彩共鸣。　　本片通过来自天南海北的四对青年男女，邂逅于“中国最北海岸线”红海滩之地，先后上演了四个浪漫多彩的爱情故事，最终都在红海滩找到了情感归宿，确定了人生奋斗的目标与价值。影片不仅体现了新时代年轻人对爱情观和事业观的看法，也记录着一个由东北工业基地辽宁盘锦在转型为国际旅游多产业城市的发展变化历程。更重要的是塑造了具有唯美爱情故事浪漫色彩氛围的新兴城市符号，融景于事融情于怀，开创了文旅爱情电影类型片先河。

简介：Harry Palmer已經離開了英國情報服務部門併成爲一個私家偵探。他接到的第一個業務就是帶一樣東西去赫爾辛基，可是他帶在身上的東西可沒那麼簡單，他開始懷疑他這個億萬富翁到底給了他什麼……

简介：Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive gure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm's world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.