尋找魔鬼

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　　明末，官府腐败，民不聊生。一次，红姑所在的郭家杂技大班遭霍太爷门下追杀，幸得好心的霍公子相救。红姑、郭师傅又被劫入红姑寨，见到上一代郭家班人寨主老红姑。老红姑讲述了当年霍太爷怎样残害他们。红姑下山报仇。面对善良的霍公子，红姑转身离去。这时，红姑寨被官兵洗劫，老红姑牺牲。押运粮草的霍公子把粮草献给新寨主红姑。官府下令将其斩首。红姑率军劫法场，就下霍公子。最后，霍公子跟随红姑一起投奔闯王李自成去了。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：

　　21世纪，曾经诞生过第一只恐龙的努布拉岛，在经历了一系列的惨剧之后迎来新的时代，如今这里经马斯拉尼之手建成了规模宏大的主题公园“侏罗纪世界”，数量繁多的远古生物每天都吸引数以万计的游客前来一饱眼福。为了吸引更多的游客，公司授意创意实验室采用不同动物的基因创造了集力量、速度和智慧于一体的暴虐霸王龙。作为负责人的克莱尔（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰）原打算请专门负责迅猛龙的欧文·格雷迪（克里斯·普拉特 Chris Pratt 饰）评估暴虐霸王龙的防护设施，谁知这头可怕

简介：在記錄數十年前的電視廣播錄像帶時，視頻檔案管理員詹姆斯（岑勇康 飾）發現了一個神祕且令人不安的廣播信號入侵（BSI），視頻中一個戴着面具的人行爲異常詭異。這段影像引起了詹姆斯的興趣，隨着調查的推進，他發現這可能是一場十分危險的陰謀，並將其與包括他妻子漢娜在內的幾名婦女的失蹤聯繫起來……

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简介：牧村朔太郎（草剪剛 飾）是一個癡迷科幻題材的小說家，他早年從工廠辭職，專心於科幻小說的寫作。雖然科幻小說的風頭漸漸被言情小說搶盡，他卻甘於寂寞，始終爲了理想筆耕不輟。朔太郎的妻子節子（竹內結子 飾）深愛着這個有些天然呆的丈夫，她白日裏在銀行努力工作，夜晚和假日則盡心操持着他們平凡的小家，照顧朔太郎的衣食起居。某天，節子突然病倒，經診斷卻得知罹患了晚期腸癌，只有不到一年的壽命。得知這一消息，朔太郎決心每天爲妻子寫一個小故事，讓節子保持快樂的心情。故事一篇篇寫出，在喜樂悲歡之中，他們結伴走過了4年多的人生時光……　　本片根據作家眉村卓和他妻子悅子的真實故事改編。

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影片講述香港發生了多起離奇命案，死者均有大量失血的症狀。作家阿祖（<李燦森飾）與記者皰疹（<林曉峯飾）是一對好友，分別因挖掘創作靈感和找尋新聞素材而對這些案件產生了興趣，而祖的印尼網友王茵（<胡杏兒飾）是一名靈學專家，得知此案後認爲事情並不簡單，遂赴港與阿祖及皰疹聯手調查。三人經過深入調查，發現原來是細菌在作祟，在印尼有一種千年古木，其中寄生着一種真菌，人們將這種木頭製成棺材後，死人的屍體就會被真菌控制，成爲喪屍。而這種木頭日前流入了香港。多起命案均是喪屍所爲，而喪屍生前的妻子（<湯盈盈飾）爲了不讓丈夫離開自己，也助紂爲虐，以美色誘惑獵物上鉤，成爲丈夫的腹中之物。祖等三人得知原委後準備阻止喪屍繼續害人，一場人屍大戰就此展開…… >

简介：Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).

简介：雙子殺手是2019年上映的美國劇情電影。 效力於美國國防情報局的特工亨利·布羅根（威爾·史密斯 Will Smith 飾）是一名頂尖狙擊手，在他的職業生涯中，曾奉命掃除許多威脅國家安全的恐怖分子。執行任務時的他下手果斷，毫不遲疑。可是最後一次任務險些失手，卻讓他產生了動搖，進而提出解甲歸田。怎奈放下屠刀的他，偶然聽到了一個有關國家機密的大事，隨即便招來殺人之禍。在躲過政府第一次圍剿之後，他偕同因監視自己而意外被捲入其中的女特工丹妮（瑪麗·伊麗莎白·溫斯特德 Mary Elizabeth Winstead 飾）展開逃亡，投奔昔日戰友巴倫（本尼迪克特·王 Benedict Wong 飾）。 未曾想新的殺手陰魂不散，尾隨而至。更令亨利驚訝的是，追殺他的竟是年輕了25歲的另一個自己……  

简介：故事聚焦在世代經營家族企業的烏利希大家族，原本打算賣掉持股的老太太在簽字時突然暴斃。當大家手忙腳亂，爲合約是否有效而爭執不休，打電話報警時，她又復活過來了！就在今夜，不只有她，列祖列宗全都重返人間，陰陽兩界三代同堂，以爲灰飛煙滅的往事再度在大宅中上演。讓衆人疑惑的是，二戰期間過世的爺爺始終沒有上演復活秀，菲利普懷疑爺爺當年的死沒有那麼單純，決心要揪出殺死爺爺的兇手，但他在偵辦過程中不知不覺與爺爺早逝的前妻，年輕依舊的雷娜特擦出了愛慾火花。被隱藏的家族祕密，陳年往事中的陰謀詭計開始浮出水面，一切都來得令人措手不及。

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今年的萨拉·西登斯奖得主是年轻的伊芙·哈灵顿（安妮·巴克斯特 饰）。然而在去年十月，伊芙还只是一个连续数周默默注视名角玛戈·钱宁（贝蒂·戴维斯 饰）的戏迷。被玛戈的朋友凯伦·理查兹（塞莱斯特·霍姆 饰）带到玛戈面前后，伊芙讲述的经历打动了众人。玛戈收留了无依无靠的伊芙，伊芙也尽心尽力地打理玛戈的生活和工作，但是玛戈的侍伴伯迪·库南（塞尔玛·里特 饰）不喜欢研究玛戈的伊芙。热爱表演的伊芙当然不满足于做玛戈的助理，那么伊芙是怎样获得表演机会的？