江東戰神少年周瑜
4.0 |2025年06月02日 |HD
简介:
傳國玉璽刻有受命於天 既壽永昌字樣,是國家之本。東漢末年,天下大亂,傳國玉璽不知去向。孫堅於洛陽宮內井中尋得傳國玉璽。其時天下梟雄四起,皆欲窺探漢家江山。後來,孫堅遭受伏擊。臨死前孫堅囑咐兒子孫策,繼承遺志,匡扶漢室,保管好傳國玉璽。  周瑜本是江東望族之後,且周家孫家世代交好。孫堅父子背上私藏玉璽罵名。而周瑜則選擇投筆從戎。漢末天下大亂,在成爲東吳大都督之前,少年周瑜身懷匡扶漢室信念。周瑜武藝雖高,卻報國無門。一直等待時機的他,相信可以找到一位匡扶漢室的明主,實現自己的理想。而孫策則看破了亂世之中,人心難測的真相。在陰謀紛亂的時局中,不信任任何人。希望可以自己領兵起事,保一方百姓平安。周孫二人也走上不同的救國之路。  後來,董卓劫持漢室,袁紹會盟各路諸侯勤王救駕。周瑜也彷彿看到了實現理想匡扶漢室的希望。周瑜選擇投到袁紹的心腹曲軍師帳下,希望實現報效國家的志向。袁紹卻以討伐董卓爲名,扛着匡扶漢室的大旗,對漢室江山虎視眈眈。袁紹爲人老辣,外表看似老實忠厚,爲人親和。卻對世事瞭然於心,城府深不可測。  曲軍師答應周瑜只要拿回玉璽,就可以幫他實現領兵救國的願望。而在執行任務的過程中,周瑜發現自己尋找的玉璽就在昔日舊友孫策的手中。周瑜找到孫策,並將孫策交到據點,卻發現據點已經暴露。一幫不知來路的神祕義從,佈下陷阱,試圖滅口二人拿走玉璽。周瑜帶着孫策死裏逃生,而玉璽下落不明。  袁紹帳下的高將軍與曲軍師早有權力內鬥,高將軍藉由此次玉璽失蹤排擠曲軍師辦事不利、懷疑據點暴露是周瑜泄露了情報。曲軍師則力保周瑜清白。袁紹選擇暫且信任曲軍師,命令曲軍師找回玉璽。而看似隱忍、處於劣勢的曲軍師卻以退爲進,爲自己留好了退路。在傳國玉璽事件中,他選擇犧牲周瑜,拿到玉璽後,準備另擇門戶,背棄袁紹。  周瑜在執行任務的途中邂逅了一名貪玩善良的俠女小喬。小喬本是富家女兒,但見到亂世中民不聊生,便逃出家門,暗中接濟貧民百姓。小喬貌美可愛行事機靈果斷,身手矯健,我行我素,愛無拘無束四處闖蕩。被周瑜的灑脫不羈卻又身懷正義而吸引。周瑜與小喬二人琴瑟和諧,漸生情愫。  周瑜再次執行任務,任務依然暴露。有內鬼出賣了周瑜行蹤。周瑜任務失敗。高將軍野心暴露,指白爲黑,誣陷周瑜與曲軍師。將軍兵權在握,處處逼宮。袁紹老謀深算,坐山觀虎鬥,知道二人在軍中各有勢力,正好互相牽制。玉璽事件二次失敗,袁紹正好順水推舟,將曲軍師下入大牢。周瑜也背上了私盜玉璽反叛漢室的罪名,同時在任務過程中又再次遭到神祕義從的追殺。逃竄中,周瑜與孫策失散。  周瑜不得已拜託小喬前往冀州給曲軍師報信。自己則再次孤身前往尋找孫策與玉璽。大牢中小喬見到曲軍師並告知周瑜所經歷的前因後果,並告訴周瑜已經前往吳家村繼續尋找玉璽了。此時,袁紹祕密會見曲軍師。曲軍師誣告高將軍對玉璽圖謀不軌,已有反心。那批試圖截胡玉璽的神祕人很有可能就是高將軍的手下。軍師請命前往吳家村先行幫袁紹拿到玉璽戴罪立功。袁紹應允,曲軍師苦肉計成功,贏得袁紹信任。順利脫身。  同時,周瑜也在吳家村找到了孫策與玉璽。但是周瑜卻發現了神祕義從的真實身份,正是軍師手下。原來亂世之中,所有人都各懷鬼胎,無論是袁紹、高將軍,還是自己所信任的曲軍師,都是各自爲戰、利慾薰心。整個集團內部已經是一盤散沙。那些神祕人,都是曲軍師爲了鬥倒高將軍,欺瞞袁紹設下的局,而自己只是曲軍師的一枚棋子。曲軍師意圖拿回玉璽後滅口周瑜,但被周瑜識破。  周瑜想要尋一位明主匡扶漢室的志向再次破滅。周瑜從曲軍師手中救下小喬,並擊敗軍師。周瑜與孫策的誤會也漸漸解開,二人最終冰釋前嫌。周瑜也看清了袁紹等人的嘴臉。周瑜不再將救國的希望寄託在別人身上,而是選擇與孫策聯手。最終二人,選擇在江東起事,保一方百姓太平。後與曹、劉兩家成三足鼎立之勢,成爲了一段英雄佳話。
猜你喜歡
換一換
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
評論區
首頁
電影
連續劇
綜藝
動漫
短劇