名劍

简介：

当太阳转换为磁星的时间很短，水星是抛出轨道（随着宇宙飞船探索）和设置在碰撞过程的地球。一个扫地的科学家用自己失败的武器系统，项目7，拯救我们的星球？                                                                      　　之原创电影《大冲撞》（碰撞地球）将于1月14日播出，这是另一部灾难电影，演员包括《危机边缘》（边缘）的·阿塞韦多、《电子星恋》（罗斯威尔）的戴安娜法尔和《秘社》（秘密圈）的杰西卡·甘乃迪。

简介：

简介：克拉拉是德國第一位化學女博士，嫁給的丈夫弗裏茨哈珀是德國著名的化學家，氮肥之父加一戰化學戰之父。因爲氮肥獲得諾貝爾化學獎，但因爲研製了N多化學武器被詬病，後來也由於他猶太人身份被德國驅逐，一些親人也死於他發明的化學武器。這是他第一任妻子的傳記片。

简介：影片根据顾文显本人发表于《今古传奇·故事版》的故事《傻人有傻福》改编。该剧通过制造悬念抖包袱的手段，让观众在笑过之后，能崇尚“以热心助人为荣”的处世观，领悟“善有善报”的朴素哲理。

简介：

正义联盟集结地球上所有超级英雄一起对抗强大的反派达克赛德。

简介：最先與滅霸軍團遭遇的雷神索爾一行遭遇慘烈打擊，洛基遇害，空間寶石落入滅霸之手。未幾，滅霸的先鋒部隊殺至地球，一番纏鬥後擄走奇異博士。爲阻止時間寶石落入敵手，斯塔克和蜘蛛俠闖入了敵人的飛船。與此同時，擁有心靈寶石的幻視也遭到外星侵略者的襲擊，爲此美國隊長、黑寡婦等人將其帶到瓦坎達王國，向黑豹求助。倖免於難的索爾與星爵一行相逢，隨後他們兵分兩路。索爾與火箭、格魯特踏上再鑄雷神之錘的旅程，星爵則與卡魔拉等人試圖阻止滅霸的惡行。而知曉靈魂寶石下落的卡魔拉，同樣是其義父滅霸追蹤的對象。　　攸關整個宇宙命運的史詩戰役全面展開，超級英雄們爲了平凡而自由的生命奮不顧身……

简介：當年那場慘烈的芝加哥大戰，汽車人雖然成功擊退了霸天虎的入侵，卻也讓地球人對他們失去了應有的信任與尊重。由美國中情局組建的“墓風”部隊對所有的變形金剛進行無差別的獵殺，一時間汽車人和霸天虎全都在地球不見了蹤影。某天，居住在得州的落魄機械發明家凱德·伊格（馬克·沃爾伯格 Marky Mark 飾）買回來一輛破舊的卡車車頭，誰知那竟是處在休眠中的汽車人首領擎天柱。嗅到氣息的墓風部隊蜂擁而至，甦醒後的擎天柱救走了凱德一家，也和散落在各個角落的汽車人相繼取得聯繫。另一方面，瘋狂的人類科學家從變形金剛的殘骸中獲知了他們變形的祕密，並企圖藉此製造出人造金剛，而脫胎自威震天的驚破天正是他們的得意作品以及催命死神。　　新一輪的危機捲土而來，地球面臨更大的災難……

简介：小美和阿雄在一起很久了，到了快結婚的時間，可是當小美和阿雄的兩家人在一起見面的時候，父母雙方不同意，各自有自己的原因，阿雄家裏是農村的，小美家是城裏人，兩種不同思想的長輩讓兩個年輕人左右爲難。

简介：

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：富家少女崔淼在浴室遭遇“水鬼”襲擊，驚慌失措，心力憔悴。別墅內不時有詭異暗影飄過，窗欞處傳來令人不安的聲音，浴室更成了家人望而卻步的場所。是母親自殺的靈魂歸來製造麻煩，還是父親懺悔的心理導致變態行爲，抑或只是夢境作祟？經過衆人多方調查，這一切，竟然與美少女父親曾經的狐朋狗友有關……是逝者的復仇，還是活人的詛咒，聲聲尖叫中，浴室謎團期待終極答案。

简介：供職於明潮雜誌社的記者藤井修一（山田孝之 飾）被主編安排前往東京監獄，會見不久前向雜誌社寄來要求會面信件的死刑犯——窮兇惡極並且血債累累的黑幫頭目須藤純次（皮埃爾瀧 飾）。須藤開門見山講明原由，入獄前他曾受被人稱作“老師”的房地產經紀木村孝雄（Lily Franky 飾）之託，採用各種巧取豪奪的方式騙取土地所有權和保險金，甚至不惜爲此殺人。現如今須藤鋃鐺入獄，等待死刑的到來，而“老師”則逍遙法外，快活如初。須藤無法原諒“老師”對自己的利用和欺騙，發誓要將其一同帶入地獄。爲了博得藤井的信任，須藤講述了三樁從未向警方供述的命案。藤井在毫無援手的情況下展開調查，終於發現一個個最爲醜陋邪惡的人性實例……　　本片基於真實事件改編，並獲2013年日本電影旬報十佳影片第三名。