星空

简介：一年前，酷愛攝影的康平在一次時裝表演會上被正在臺上表演的夢醒深深吸引，爲她拍了許多照片，照片洗出後，他又特地給夢醒送去結果在傳達室碰了一鼻子灰。

简介：私立晨光學院町田高中，羣體作弊事件嚴重，校園暴力引發胡攪蠻纏的家長與教師的連鎖衝突，體育教師柴原徹郎（山田孝之 飾）和美術教師久米剛毅（平嶽大 飾）的不端行爲又令這一神聖職業蒙羞。在這片無序的混亂中，二年4班班主任蓮實聖司（伊藤英明 飾）繼續他那完美純然的教師神話。舉止優雅，謙和可親，天使一般的外表下竟是一顆冷冰冰的惡魔之心。他潛心經營，佈下一個又一個不易察覺的圈套，悄無聲息抹除那些威脅他存在的人們。物理教師釣井（吹越滿 飾）暗中調查蓮實的過去和背景，並與他的學生圭介（染谷將太 飾）等人嘗試揭穿蓮實的真面目，此舉全引來連番血腥殺戮。充滿歡樂的校園祭前夜，血流成河……　　本片根據作家貴志祐介的同名原著改編。

简介：

司马辽太郎名作《峠》首度映像化，著名导演小泉尧史执导，役所广司&仲代达矢&松隆子超豪华共演。                                                                      　　《峠》讲述了幕末风云人物---越后长冈藩家老-河井継之助的传奇人生，役所广司将扮演河井継之助，松隆子扮演其妻子。                                                                      　　田中泯、香川京子、佐々木蔵之介、坂東龍汰，永山絢斗、榎木孝明、渡辺大、矢島健一，山本學、井川比佐志、東出昌大、吉岡秀隆参演。电影将于9月在新泻长冈开拍，影片中最重要“北越战争”场景将有5000人群众演员参加拍摄。                                                                      　　影片将于2020年公映。

简介：A sleep study goes awry when participants start to go missing.

简介：應正式邀請，俄羅斯社會學家馬克西姆·舒加利（Maxim Shugaley）及其同伴和翻譯薩梅爾·蘇凡（Samer Sueifan）前往被激進組織分裂的利比亞。他們的任務是進行研究，以結束戰爭。但是，在工作過程中，俄羅斯專家遭到武裝分子綁架，並被關在私人監獄中長達一年多。由於和平解決這一問題的外交努力陷入僵局，俄羅斯方面開始準備實施救援行動。

简介：一個獨特的，親密的和誠實的描繪一個女孩悲傷的失去她最好的朋友。這恰好發生在我們所知道的世界末日的那一天。　　由黑暗中幾個人莫名其妙的對話開始，講述了女主人公在自己的朋友死去後，無意中發現了朋友生前錄製好的錄音帶，追尋着提示，一步步拯救了世界的故事。但是，真正的災難卻纔剛剛開始……

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为了为女儿的癌症治疗筹集资金，一名退休的公牛骑手与他疏远的儿子联手，在时间耗尽前抢劫以确保付款。但在抢劫案出错后，要想保住这笔钱——以及他们的自由——需要两人智胜当地两名顽强的执法人员，其中包括一名有正义意识的警长，她很快怀疑，她的案件的关键可能就在离家不远的地方。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：

兹心》是一部由患者、家属、专业人士亲述的关爱抑郁症公益题材纪录片。该片涉及青少年、高校大学生、孕产妇、中老年各阶段及多种职业人群抑郁现象，邀请并访谈患者或家属及医学、心理、教育、社会领域专家近40名热心人士，从个人、家庭、学校、医学、社会多个角度，为患者、为科学、为爱发声。

简介：影片的故事圍繞“同福客棧”面臨被拆遷的處境展開，佟掌櫃在帶領“衆俠”與地產商進行鬥智鬥勇的同時，片中主要角色也因各自的現狀傷透腦筋。郭芙蓉與秀才成親後，爲了孩子積極籌劃買房，最後卻只買得一處牛棚。結了婚的佟掌櫃忙着給小貝找婆家，更令她煩心的是她和老白要不上孩子，佟掌櫃因此一見當了媽媽的郭芙蓉，說話就變得酸溜溜的。

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单身孕妇朱莉娅刚刚失去工作，这对她来说犹如世界末日。新朋友阿拉娜为她带来了及时雨，因为她知道有人正四处寻找孕妇，并会为她们的阳性反应的验孕棒付费。