母親與瘋子們

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当太阳转换为磁星的时间很短，水星是抛出轨道（随着宇宙飞船探索）和设置在碰撞过程的地球。一个扫地的科学家用自己失败的武器系统，项目7，拯救我们的星球？                                                                      　　之原创电影《大冲撞》（碰撞地球）将于1月14日播出，这是另一部灾难电影，演员包括《危机边缘》（边缘）的·阿塞韦多、《电子星恋》（罗斯威尔）的戴安娜法尔和《秘社》（秘密圈）的杰西卡·甘乃迪。

简介：法國《電影手冊》2018年度期待榜單重點推薦影片之一，影片採用16mm膠片拍攝，具有極致的迷幻色彩，影像超級大膽，故事講述5個熱愛藝術的“野小子”的罪惡之行，讓人想到庫布里克的《發條橙》，而這5位“野小子”則正由5位女演員“扮演”，涉及到了不少情色元素，探討了性別結構。

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正义联盟集结地球上所有超级英雄一起对抗强大的反派达克赛德。

简介：1934年，英格蘭南部，28歲的花店老闆米蘭達和其他五個人一樣，莫名其妙地被邀請到億萬富翁劉易斯·芬德利的豪宅共度週末。。。

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简介：《智齒》改編自雷米小說。講述從學堂畢業的任凱，因一宗連環兇殺案，與剛復職的展哥開始搭檔。案子破不了反倒引發連串事故，展哥重遇殺妻兒的街童王桃，被激發的恨意一發不可收拾；任凱大意失槍，誤被兇手所獲。兇手潛伏在城市之中，危機逐步逼近。

简介：16歲的少女薩拉·貝利（Robin Tunney 飾）外表陽光美麗，卻擁有不爲人知的痛苦過去。爲了尋找生活的希望，她隨父親（Cliff De Young 飾）和繼母從舊金山搬到了位於洛杉磯的一座城市，並在當地一所教會學校繼續學業。在這裏她遇見三個打扮和舉止都很怪異的女孩——（費爾魯扎·鮑克 Fairuza Balk 飾）、邦妮（Neve Campbell 飾）和羅謝麗（Rachel True 飾）。周圍的學生沒有一個願意與她們交往，甚至盛傳他們就是恐怖的女巫。薩拉無意間展現出的超能力引起南希等人的注意，這四個本質上有着相同氣質的女孩很快便走到一起。　　他們希望召喚萬物之靈馬農（Manon），讓其進入自己的身體，由此可以使糟糕的生活變得好轉起來。只是，世界上絕對沒有免費的午餐……

简介：張柏倫原是警校的好學生,被派去當臥底四年,現調回警官原校受訓.他和同學招家寶等甚爲友好。　　招家寶開設的店鋪被黑社會搗亂，家寶被打傷。柏倫帶領同學們把黑社會中人痛懲。此事犯了校規，教官林Sir不願他們被革退替他們代罪，因此受到提前退職處分。柏倫等感到很內疚。　　林Sir退職後被四大天王匪幫殺死，柏倫等十分悲憤。畢業後他們都當了警察，他和家寶都和心愛的人結了婚。　　三年後他們得知四大天王的行蹤，他們集中去圍捕，在圍捕中柏倫受了傷，四大天王都被他們親手殺死，替休Sir報了仇。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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退休的黑幫首領查理·阿切爾被一個兇猛的街頭幫派謀殺，目睹一切的莉齊·戴維斯報警，但證詞遭到警方質疑。於是查理的兄弟同是黑幫的裏奇·阿切爾開始進行調查，用自己的方式對這些年輕罪犯進行懲戒。

简介：影片講述第一次世界大戰，託曼尼亞王國獨裁者辛格爾（查理·卓別林飾）上臺。他的大肆擴張導致戰亂不斷民不聊生。並且他大搞陰謀政策，煽動民衆對猶太人的敵對與仇恨，讓猶太人民陷入水深火熱的災難之中。被徵入伍的猶太人理髮師查理（查理·卓別林飾）更是在這樣的高壓政策下難逃一劫。當查理逃出邊境時，被駐守在這裏的軍隊誤認爲是獨裁者辛格爾，他趁機做了一場“爲自由而戰鬥”的大演說。　　該片是查理·卓別林的第一部有聲片，攝於希特勒統治最爲黑暗的時期，片中對他辛辣諷刺跟醜化比比皆是。本片榮獲第13屆（1941）奧斯卡最佳電影、最佳男主角、最佳男配角、最佳編劇、最佳音樂5項提名。

简介：26岁的吴吉生日当天，因为负债累累和生活压力而萌生自杀念头。此时，他突然收到一卷录影带，打开一看，竟是遗忘已久，自己和中学戏剧社号称“雪姑七友”挚友们拍过的“小电影”…… 究竟这一晚突如其来的录影带，看到过往热血澎湃的自己，能否让吴吉再度遇上生命的奇迹？