唐宮蜜史

简介：Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a moralityfolk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.

简介：

北宋年間，寺廟老和尚止善收養了一個棄嬰，嬰兒的肚子上留有疤痕“東昌王文之子”，止善發現嬰兒是個半人半狐，毅然決定將其收養並教導他一心向善。他給嬰兒取名王孜，每日教王孜唸經打坐。

简介：A sailing holiday spirals out of control when a teenage daughter uncovers the dark past of her mother's new boyfriend.

简介：一位當紅電影明星的離奇死亡吸引了偵探蘇賈（阿米爾·汗 Aamir Khan 飾）的注意，心中充滿了疑惑的他決定靠自己的力量找到事件的真相。蘇賈和妻子羅斯（拉妮·瑪克赫吉 Rani Mukherjee 飾）曾經擁有過一個可愛的孩子，不幸的是，隨着這個孩子的死亡，夫妻兩人的感情亦跌落了冰點，時刻瀕臨崩潰的邊緣。　　在蘇賈的新家裏，一個陌生老婦的闖入將一切攪得一團糟，同時，他手中的案子也成爲了無頭懸案。一次偶然中，一位名叫羅詩妮（卡琳娜·卡普 Kareena Kapoor 飾）的美豔女子出現在了蘇賈的視線中，很顯然，種種線索表明了，這個神祕的妓女和他正在調查的案件有着千絲萬縷的關聯。

简介：1991年戛納電影節導演雙週單元。作為“大正三部曲”的壓軸之作，本片充滿了肉 欲 色情與荒誕的色彩，講述的是一個鬼故事，圍繞著日本著名畫家兼詩人竹久夢二 (1884-1934)這個角色以及他的作品。角色被導演想象為一名由前搖滾明星澤田研二扮演的沉迷白日夢的花花公子，他終日為尋覓女色及死亡恐懼所困。他先後愛上了許 多女子，卻無一被他俘虜芳心。同時，他還不斷與同行對手過招，卻無法戰勝他們。為了向鈴木清順致敬，香港著名導演王家衛在《花樣年華》中採用了梅林茂的電影配樂，最早則來自該片《夢二》。

简介：阿明一向沉迷於網絡遊戲，經常留連網吧置女友于不顧。一次網吧火災，有三名死者的靈魂沒有到地府報到，而阿明就是其中之一。閻王遂派阿達來到陽間展開調查。期間，多名網絡遊戲高手在玩遊戲時暴斃，原來是三個失蹤靈魂利用互聯網這個特殊空間來逃避死亡，阿達惟有練好一身本領，走進這個網絡時間。

简介：

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：一場在極圈進行的原子彈爆炸實驗，釋放了冰層中沈睡一億四千年的恐龍，這隻恐龍跑到紐約市大肆侵略，造成巨大恐慌。

简介：法國獨立製片公司Gaumont將拍一部關於席琳·迪翁的電影《愛的力量》(The Power of Love)，成本2300萬美元，影片將會出現多首迪翁的經典歌曲，包括“All by Myself”、“My Heart Will Go On”、“I’m Alive”等。　　瓦萊麗·勒梅西埃(《巴黎淘氣幫》《五月傻瓜》)執導，她也將飾演迪翁。影片記錄迪翁從60年代在魁北克出生、成長，到十幾歲時聲名鵲起，再到她與經紀人、丈夫Rene Angelil以及家人的關係。法國2020年12月2日上映。

简介：An ex-special forces operative wages a one man war through the streets of Amsterdam to rescue his friend's daughter from the local crime syndicate.

简介：本片根據真實人物改編。第一次來到西藏工作的老孔（宋洋 飾），急需一個翻譯，機緣巧合下，找到了在內地讀過書的久美（金巴 飾）。兩個人從互相矛盾到彼此理解，最終成爲了一生的朋友……