生人勿進美

简介：經典愛情片《12夜》將推出新一章《12日》。《12夜》爲2000年上映的愛情電影，由林愛華執導，陳奕迅、張栢芝主演，謝霆鋒、盧巧音、鄭中基、馮德倫 等人聯合演出，描繪出都市年輕男女戀愛的12個階段。《12日》將展現現在這個世代的愛情觀，與20年前早已經不同。

简介：

Barbie's younger sister Chelsea is trying to celebrate her 7th birthday but her birthday is skipped due to the international date line.

简介：A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these loser kids learn they have the qualities they thought they were lacking all along.

简介：戲中，薩德本人從未露面，只存在於六名登場人物的對話中。人物的性格也很分明，西緬男爵夫人代表“美德”、而聖芳伯爵夫人代表“惡行”，門託紐夫人則代表了世俗。儘管兩位代表善惡的人物更富有戲劇性，然而全劇的中心仍是主人公露涅和門託紐夫人的對立。　　以劇中人對薩德的態度爲例：門託紐夫人認爲聲名狼藉、鋃鐺入獄的薩德根本就是家庭的恥辱，而薩德的妻子露涅則截然不同，她真誠地等待着被社會排斥的丈夫，並認爲這纔是表達真愛的惟一方式。但是，當革命風起雲湧，社會價值觀也隨之改變。薩德出獄並被捧爲新時代的旗手，門託紐夫人的態度來了個一百八十度大轉彎，她成了薩德的捧哏，稱薩德爲法國的獻身者。　　而露涅的態度卻截然相反。丈夫重新被社會承認，意味着她那孤獨的愛就此喪失了根基。不僅如此，她讀了薩德在獄中寫的小說，裏面描寫了一位堅持美德的女子的悲劇，露涅在作品中看到了自己的影子。她的孤獨之愛從根底瓦解了，同時也意識到之前的半生不過是徒勞，於是她投身修道院，再也不與薩德相會。劇中露涅曾說：“與其付諸行動，不如創製法則……”　　這句話也可以理解爲“與其委身現實，不如付諸思想”。對原劇作者三島先生來說，“藝術”無疑是存在於現實之外的、對於異端思想之美的例證。

简介：一聲響指，宇宙間半數生命灰飛煙滅。幾近絕望的復仇者們在驚奇隊長（布麗·拉爾森 Brie Larson 飾）的幫助下找到滅霸（喬什·布洛林 Josh Brolin 飾）歸隱之處，卻得知六顆無限寶石均被銷燬，希望徹底破滅。如是過了五年，迷失在量子領域的蟻人（保羅·路德 Paul Rudd 飾）意外回到現實世界，他的出現爲倖存的復仇者們點燃了希望。與美國隊長（克里斯·埃文斯 Chris Evans 飾）冰釋前嫌的託尼（小羅伯特·唐尼 Robert Downey Jr. 飾）找到了穿越時空的方法，星散各地的超級英雄再度集結，他們分別穿越不同的時代去搜集無限寶石。而在這一過程中，平行宇宙的滅霸察覺了他們的計劃。　　註定要載入史冊的最終決戰，超級英雄們爲了心中恪守的信念前僕後繼……

简介：在都立杜鵑花臺高中放學後的教室裏，響裕太在筆記本上一遍又一遍的畫着GRIDMAN。這個世界曾經被一個少女創造、又被破壞。拯救了那個少年的心的，是從異次元來的超級代理人GRIDMAN，少女製作了擁有心靈的怪獸，以及裕太他們。在和平的世界力生活的他們，日常生活隨着一身聲巨響開始崩潰。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：影片是根据1969年震惊全美的曼森家族杀人案改编，这个杀人案的被害人是当时著名的好莱坞女星莎朗·塔特和她的4位好友。1969年的8月9日，因为丈夫罗曼·波兰斯基远在欧洲拍片，已有8个月身孕的莎朗邀请4位朋友到自己比弗利山庄的豪宅度周末，这本该是个快乐的周末。结果，塔特怀孕8个月的胎儿随母亲被活生生地勒死；4位在她家度周末的朋友也难逃一劫，更残忍的是，他们都死得血肉模糊，面目全非；豪宅鲜血淋淋；快乐周末骤眼间变成了死亡周末。

简介：美麗的白靈（蘇查拉·瑪娜英 飾）和英俊帥氣的衛軍（李川 飾）是一對正處於熱戀中的情侶，這次他們來到馬來西亞雲頂高原獨家。他們剛剛在賭場豪賭一把，快樂非常，隨後便離開卻入住了全亞洲最有名的猛鬼酒店彩雲閣。雖然小軍一臉的不在乎，可是白靈卻三番五次在酒店中遇到詭異的事情，這令她心神恍惚，疑神疑鬼。出國前公司女同事的事情本就讓她心煩意亂，而今住進這麼一家陰森恐怖的酒店更讓她魂不守舍。半夜時分，兩人都被嚇得幾近崩潰，無論如何他們不能再在這裏待下去了，於是二人連夜駕車逃離。　　早已被邪靈鎖定的二人，無論如何也難以逃離黑暗的陷阱……

简介：　　麦子东原本是一个催眠师，可是却在一次给女病患治疗时，离奇进入另外一个世界，在那里他只是一个普通的便利店店员，并且他一年来重复梦到女朋友刘洋死去的情景，麦子东被梦境折磨得精神恍惚，每天都沉浸在无边的痛苦中，直到有一天，好朋友给了他一张游轮的船票，而就在他登上这艘名为“维多利亚号”的游轮之后，梦中的秘密才开始解开.......

简介：未來某日，中國海軍截獲關鍵情報——一艘超級潛艇正密謀一項針對我國東南沿海城市的絕密軍事計劃。我方派出最新型潛艇“龍鯨號”，與蛟龍小隊協同作戰。海底戰場險象環生，蛟龍遭遇重重陷阱，潛艇與敵多番埋伏周旋，更駛入海底火山口遍佈的廣袤深海，一場驚心動魄、攸關生死存亡的深海決戰拉開帷幕……　　該影片爲《紅海行動》續作。

简介：漁家之子愛上了村長千金，但女孩的父親為人老派又固執，強烈阻撓兩人的感情。