我親愛的怪物夥伴

简介：Francisco Regueiro - 60-70年代西班牙新電影時期傑出的作者電影導演。

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简介：曾经由人类主宰的社会如今变成了吸血鬼的天下，而仅存的人类被圈养起来成为制造新鲜血液的机器。人类的数量越来越少，吸血鬼必须研究出血液的替代品，否则将面临更加恐怖的变异。爱德华·道尔顿（伊桑·霍克 饰）是专门研究新型替代品的首席血液专家，他的老板查尔斯·布罗姆利是一位野心家，他非常满意当前吸血鬼世界的现状并企图通过垄断新的替代品获得巨额利润。一次意外爱德华遇到了逃亡中的人类奥德丽·班尼特（克劳蒂娅·卡万 饰），并帮助她摆脱追捕，不料事后奥德丽居然找上门来，并且带来了在一次意外中由吸血鬼奇迹般变成人类的艾维斯，仅存的人类需要一个可以信任的吸血鬼的帮助……　　斯派瑞格兄弟（Peter Spierig Michael Spierig）在此片中将以往的吸血鬼类型片进行改造，融入科幻的元素打造出全新的故事氛围。

简介：梁超從越南偷渡來港，誤入歧途，投效於黑社會老大莊威身邊當殺手。爲了利益，莊威命手下製造三起重大命案，重案組組長方剛爲此疲命偵查，卻苦無蛛絲馬跡。董力忠心於義父莊威，深愛着義妹牧蘭，而牧蘭卻不理會，心情低落的董力幾次出師不利讓莊威不滿，董力在愛情事業皆告失意之際，背叛了莊威…...

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现代版罗密欧与茱丽叶！ Franziska得知父亲发生车祸，动身回到家乡，她无意接管祖传的葡萄园，只打算在当地待一小段时间，却没想到与迷人的医生Marco相互吸引。然而，在前奥地利地区，因过去的战争遗留下的伤痛与仇恨，让德国人和义大利人存在着陈年冲突。 Franziska与Marco家族之间看似永无休止的嫌隙，也威胁到两人之间日益增长的爱情。

简介：當年那場慘烈的芝加哥大戰，汽車人雖然成功擊退了霸天虎的入侵，卻也讓地球人對他們失去了應有的信任與尊重。由美國中情局組建的“墓風”部隊對所有的變形金剛進行無差別的獵殺，一時間汽車人和霸天虎全都在地球不見了蹤影。某天，居住在得州的落魄機械發明家凱德·伊格（馬克·沃爾伯格 Marky Mark 飾）買回來一輛破舊的卡車車頭，誰知那竟是處在休眠中的汽車人首領擎天柱。嗅到氣息的墓風部隊蜂擁而至，甦醒後的擎天柱救走了凱德一家，也和散落在各個角落的汽車人相繼取得聯繫。另一方面，瘋狂的人類科學家從變形金剛的殘骸中獲知了他們變形的祕密，並企圖藉此製造出人造金剛，而脫胎自威震天的驚破天正是他們的得意作品以及催命死神。　　新一輪的危機捲土而來，地球面臨更大的災難……

简介：能夠展翅高飛的獵鷹山姆·威爾遜（安東尼·麥凱 Anthony Mackie 飾）受史蒂夫·羅傑斯的信任所託，接過盾牌，正式成爲美國隊長。在與美國總統塔迪厄斯·羅斯（哈里森·福特 Harrison Ford 飾）會面後，山姆發現自己被捲入了一場國際事件。他必須趕在真正的幕後黑手讓全世界陷入混亂之前查明真相，揭露這起波及全球的陰謀。

简介：三个毛头小子正在自拍他们号称“世界上最酷最疯狂”的搞笑视频短片“靶心”。看到互联网上频繁暴增的点击量，三人动心不已，着手筹备一部大项目——一部世界上最危险的影片，他们叫它《电影43》。当他们键入“电影43”到一个私人服务器的时候，发现了禁止视频。随即而来的《电影43》的播放列表，不仅让三人瞠目结舌，更足以让你在这十二个独立又相互关联的故事中，惊喜交加。　　这部由十一名导演、十五位编剧和十一个剪辑师共同打造的《电影43》，群星云集，带来史上最强明星阵容，艾玛·斯通、哈莉·贝瑞、凯特·温丝莱特、科洛·莫瑞兹等十几位好莱坞大牌明星联袂亲情演绎。众多知名明星使出浑身解数，颠覆形象之余大秀搞怪底线，上演一出爆笑连连的喜剧视觉大餐。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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1968 年至 1973 年间，奥兰群岛作家安妮·布洛姆奎斯特出版了五部小说，记录了斯托姆斯凯里·玛雅的一生。斯托姆斯凯里·玛雅是一位朴实的农家妇女，她的生活漫长而又辛苦，她谦逊地信仰上帝，随着岁月的流逝，她逐渐获得了一些独立性。

简介：陈侠，一位初出茅庐的教师，他的学生全是品学皆劣的边缘青年，陈侠运用非常教学的手法，从家访、投其所好、甚至修补各人的家庭关系，化解每位学生的问题，最终把全班学生收服！一切向好之际，陈侠遇到黑道人物鹰哥，为了学生，陈侠跟鹰哥展开一场守护学生前途的终极大战！

简介：影片的故事圍繞“同福客棧”面臨被拆遷的處境展開，佟掌櫃在帶領“衆俠”與地產商進行鬥智鬥勇的同時，片中主要角色也因各自的現狀傷透腦筋。郭芙蓉與秀才成親後，爲了孩子積極籌劃買房，最後卻只買得一處牛棚。結了婚的佟掌櫃忙着給小貝找婆家，更令她煩心的是她和老白要不上孩子，佟掌櫃因此一見當了媽媽的郭芙蓉，說話就變得酸溜溜的。