小雲雀

简介：新浪潮老祖母阿涅斯•瓦爾達處女作，短岬村也正是瓦爾達成長的地方。　　影片主要有兩部分構成：年輕男子路易（Philippe Noiret 菲利普•努瓦雷 飾）回到家鄉短岬村，一個位於法國賽特區的漁港小村。與之生活了四年的妻子艾拉（Silvia Monfort 西爾維婭•蒙福特 飾）隨後也來到了這裏。路易對短岬懷有強烈的感情，艾拉卻對這裏感到陌生。不論兩人如何努力，隔膜感還是使他們原本平淡的關係進一步陷入危機。夫妻倆在短岬的日子裏，探討着對愛情和生活的感悟……　　另一方面，政府派來調查員調查短岬污水的情況，村民們團結起來驅逐外來者。短岬的生活波瀾不驚……

简介：《Top Gear》是英国BBC电视台出品的一档汽车节目,虽然是一个汽车节目,但它相对于平时我们在电视上看到的汽车杂志之类的广告或节目有着天堂与地狱之间的差.思维跳跃的编导,好莱坞水平的专业摄影,匪夷所思的试车创意,还有那三个闻名世界的大嘴和一位从不说话的神秘试车手Stig.观看Top Gear,你不仅是在看一个单纯的汽车节目,很多时候更像是在欣赏一部令你热血沸腾的大制作电影!

简介：和妻子感情破裂後，報社撰稿人菲利克斯（傑克·萊蒙 Jack Lemmon 飾）被趕出了家門，無奈之下，他只得暫時搬到朋友奧斯卡（沃爾特·馬修 Walter Matthau 飾）的住處，和這個相識多年的好夥伴成爲了室友。奧斯卡和菲利克斯的性格簡直是冰火兩重天，前者作風古怪個性孤僻常常將家裏弄得一團糟，而後者卻是個喜歡清潔和烹飪的好好先生。　　雖然“同居”中的兩人常常因爲一些小事拌嘴，但他們的生活都因爲對方的存在而有了一絲的生機，隔壁住的一對來自英國的姐妹花更是給予了他們無盡的幻想。在奧斯卡的極力反對下，菲利克斯還是將兩姐妹邀請到家中做客，沒想到四人相處的不錯，當事態向着理想的方向發展時，奧斯卡卻打死也不肯繼續了，抓狂的菲利克斯大發雷霆，這對好友之間的友情岌岌可危。

简介：一聲響指，宇宙間半數生命灰飛煙滅。幾近絕望的復仇者們在驚奇隊長（布麗·拉爾森 Brie Larson 飾）的幫助下找到滅霸（喬什·布洛林 Josh Brolin 飾）歸隱之處，卻得知六顆無限寶石均被銷燬，希望徹底破滅。如是過了五年，迷失在量子領域的蟻人（保羅·路德 Paul Rudd 飾）意外回到現實世界，他的出現爲倖存的復仇者們點燃了希望。與美國隊長（克里斯·埃文斯 Chris Evans 飾）冰釋前嫌的託尼（小羅伯特·唐尼 Robert Downey Jr. 飾）找到了穿越時空的方法，星散各地的超級英雄再度集結，他們分別穿越不同的時代去搜集無限寶石。而在這一過程中，平行宇宙的滅霸察覺了他們的計劃。　　註定要載入史冊的最終決戰，超級英雄們爲了心中恪守的信念前僕後繼……

简介：從大陸撤到臺灣的一批將士及其親屬中，有一個來自河南的大家庭。除了將軍的跟班福順和姥姥（陶述 飾）中意的那副齊白石的柿子圖意外走散，家裏人口總算齊全的到達了臺灣。　　換了一個新地方，姥姥各種不適應，被將軍女婿（石雋 飾）許諾不久就能重返老家。但隨着時間的推移，這個問題很少再被提及。橫在一家人面前的是生活的難題。家裏小孩衆多，物資匱乏，但點子頗多的姥姥常常化腐朽爲神奇。像是把女婿照的X光片裁成多份做寫字板；跟教堂的修女弄好關係得到麪粉牛奶；把女婿的錦旗做成孩子們校運會的旗幟等，過程中惹出不少笑話。而沒了官職的將軍則和妻子倒弄起養殖業，雞鴨青蛙魚輪番上陣，還賣過鉛筆，但都沒能賺到錢。日子就這麼平平淡淡過去，孫輩漸漸長大，而福順（趙正平 飾）意外地和這家人再次相遇，帶來了姥姥的那副柿子圖及那份不曾離去的鄉愁。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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简介：被指控縱火的阿莫多出獄了，卻沒有人等着他。他回到家鄉，一個位於加利西亞深山、全歐洲森林大火發生最爲頻繁的村莊，與八十三歲的老母親和三頭乳牛一起生活。跨過溼冷陰鬱的冬季，阿莫多循着自然的節奏緩慢生活，曾經乾枯的生命在春日微風和盛夏陽光裏逐漸舒展，直到森林的濫墾越來越近，漫山的烈火再度襲捲而來……。　　導演奧利佛勒賽回到兒時遊玩的西班牙山村，完成這部橫跨四季的宿命之詩。以熟識的當地素人爲主角，在充滿儀式感的攝影機運動與超十六毫米膠捲質地的影像中，凝視這片被他譽爲「擁有極端美感、高反差又難以預測」的山林景貌，靜謐中匯聚出懾人的能量；而人類的純真與猜忌、自然的更迭與滅絕、生命的渺小和無常，更隨着鋪天蓋地的熊熊烈火，迸發出灼人的滾燙。影像力道直追貝拉塔爾、塔可夫斯基。

简介：A black market marijuana dealer tries to make one final score before getting squeezed out of the business when cannabis becomes legal.

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一名神秘女子讲述波兰历史上影响力最大的黑帮老大之一——尼科德姆·“尼科斯”·斯科塔卡克的崛起与覆亡，灵感来自真实故事

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Four university students summon an ancient spirit from a different dimension with a liturgical noteb...