大火將至

简介：男星不堪壓力，臨陣辭演舞臺劇，獨自逃到海邊小鎮水療按摩。但有些事情註定逃不了，他在那裏意外重遇舊情人。她以教琴爲業，育有一女；他薄有名氣，卻無人分憂。以爲已經淡忘對方，竟是再見如故，十五年前錯失的一切，再次擺在面前。史提芬畢西（《她的一生》）完成他的「勞資衝突三部曲」後，轉而描繪一份不合時令的感情，透過優美畫面及動人琴音，溫柔細膩表現久別重逢的愛與痛，並有吉翁卡列和影后艾芭諾宜娃查傾情演繹，令故事更添韻味。

简介：以冒险探索为基础，结合黑暗、魔幻的视觉风格展现出一个与众不同的世界观。故事讲述了中土末年，乱世初现，纷争不断。小和尚江流儿机缘巧合吞下至宝盘古之心。不得已与天诛焱、颲、偃流沙三名赏金异人踏上了取丹之旅。

简介：這部歷史劇展示了1897年薩拉加希之戰。本片的重點是伊沙·辛格士官。他在當時的印度阿富汗邊界開伯爾-普赫圖赫瓦的沙門山脈的三個要塞之一駐守。因違抗上司命令從宗教分子手中拯救了一名阿富汗姑娘，因而被調到作爲信息中轉站的薩拉加希要塞。　　而阿富汗宗教分子便利用這個藉口，想一舉奪下三個要塞。而首先進攻的就是作爲中轉站的薩拉加希要塞。伊沙·辛格士官率領21名錫克教徒組成的排抗擊超過1萬阿富汗的侵略軍，浴血奮戰，硬生生地拖延了阿富汗的侵略軍的進攻步伐，從而破滅了阿富汗的侵略軍一舉奪下三個要塞的陰謀，可是，21名勇士全部罹難，壯烈犧牲。這次活動被認爲是歷史上最偉大的背水一戰。

简介：這是斯坦利·庫布里克的第一部故事片。劇本出自他的高中同學、詩人Howard Sackler之手，拍攝資金也是庫布里克自己籌措，大部分是向父親、叔叔和朋友們借的。這部作品和庫布里克以後的影片一樣充滿了超現實主義象徵性，因此只有一家藝術片商願意發行和放映，而庫布里克認爲此片只是一部實習作品，他只答應私下放映，並多次想將拷貝銷燬。儘管如此，本片還是贏得了一些評論家的好評，尤其是在攝影方面。

简介：有人因生活失去想法，威爾則因毒癮失去空間感。他的寫作人生彷佛疾駛在盤根錯節的高速公路，並隨着嗎啡不停偏駛。在家庭與生活都將失去控制前，他極力試圖挽回些什麼。作品改編自英國作家威爾賽爾夫（Will Self）的同名短篇小說，以轉描的手法、炫目流暢的轉場，以及撲朔迷離的動 畫變形，營造獨樹一幟的陰鬱風格。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：陳有財發現片場裏有寶藏，遂準備設法驅趕看更員王守利及朱仔等離開，他發現這幾個看更員多年前曾姦殺女演員邱慧貞，並在巡夜時看到過女鬼，於是陳有財和妻子便藉此扮殭屍嚇唬王等人，想迫使他們離開片bbb。不料又新來了一個叫莫銳的管理員，他亦是爲寶藏而來，與陳有財夫婦展開爭鬥，人爲財死鳥爲食亡……

简介：该片讲述正义的夜店社长知道某有名艺人的吸毒事件相关的内幕后，聚集业界精英，将韩国腐败的权利一举掀翻的故事。

简介：砂礫 (1984)烈士的後代蘇旺從部隊復員後，放棄領導上照顧的機會，不顧未婚妻丁琴的反對，自願到砂礫荒僻的塔里木沙漠當養路工。蘇旺到沙梁道班時，這裏只剩下大個子房玉樹、小胖子古達和代理班長哈德爾。艱苦的勞動和嚴酷的環境在扭曲着道班工人的思想和性格。一心要回城的房玉樹和古達越來越消沉頹廢。他們成天喝酒、算卦，哈德爾則正忍受着失戀的折磨。在一次瘋狂廝打後，房玉樹和古達捲起行李回城了。他們走後，困難更大了，作爲班長的蘇旺咬牙硬挺着，拼命幹活。負責給道班送水的女知青李曼把這一切看在眼裏，並得知蘇旺還業餘搞路面板結試驗，還買鮮花點綴道班房，不由對這條硬漢子產生了敬佩之心。丁琴來信與蘇旺絕交，而此時哈德爾的女友來信要與他重歸於好，蘇旺爲了成全他們，準了哈德爾的假。他自己卻要一人頂四人的工作，寂寞、勞累時時在折磨他，蘇旺終於支持不住，借酒澆愁，喝了個酩酊大醉。李曼冒雨給他送來熱包子。並幫他指揮搶修公路。酒醒後，蘇旺痛悔不已，暗自感激李曼。由於過度的疲勞和虛弱，蘇旺昏倒在墊路勞動中，又是李曼揹着他，把他送進醫院。出院後，蘇旺驚喜地發現哈德爾、古達都回來了。但李曼卻冰冷地拒絕了蘇旺的愛情，隨後蘇旺

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简介：邪惡的斯努克所率領的第一秩序正以前所未有的破壞力掃蕩抵抗者組織最後的力量。幾經輾轉，蕾伊（黛西·雷德利 Daisy Ridley 飾）終於在銀河一隅找到隱居的盧克·天行者（馬克·哈米爾 Mark Hamill 飾），與此同時她自身的力量也正慢慢甦醒。遭到重創的抵抗者命懸一線，爲了擺脫第一秩序的追殺，芬恩（約翰·博耶加 John Boyega 飾）和蘿絲（凱莉·瑪麗·陳 Kelly Marie Tran 飾）逃出主艦，試圖找到能令他們起死回生的人物，而好逞英雄的波（奧斯卡·伊薩克 Oscar Isaac 飾）則留下來見證着抵抗者最爲危機和絕望的時刻。　　另一方面，凱洛·倫（亞當·德賴弗 Adam Driver 飾）和蕾伊的精神世界意外連通，他終將和自己的恩師盧克迎來決算的時刻……

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《艾塞克斯男孩的秋天》讲述的是艾塞克斯男孩为争夺控制而寻求报复的故事。 一天深夜，当三个全国最臭名昭著的杀手被枪杀在一个荒凉的野外，一个犯罪帝国被推翻，而一个传奇却诞生了。艾塞克斯男孩史诗般的疯狂报复，将撼动当地犯罪家庭和警察部队。他们的名字将永远不会知道，但他们的行动震惊一个民族。